Word: sopranoes
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...Actress Marilu Tolo took a crash course in English in Los Angeles and( is now speaking it-with brio-in a Greek drama on the island of Corfu. Tolo is on the set of The Greek Tycoon, the saga of a shipping magnate (Anthony Quinn) who chucks his mezzo-soprano mistress (Tolo) in order to marry the widow of an assassinated U.S. President (Jacqueline Bisset). All fantasy, of course. Tolo (pronounced Taw-lo) described her part as that of "a famous opera singer, a tempestuous, explosive character" who is "not Maria Callas." If there is any resemblance...
...feel quite confident in stating that Susan Watson's Adeline is far superior to Helen Morgan's. Watson has an exquisite lyric soprano voice without the thinness that one often finds. Her pitch is secure, and her diction clear. Like many singers, she has a tendency not to hold the last notes of phrases to their full value, but hers is lovely vocalism all the same. And she is no stranger to the style of the 1920's, since she created the title role in the 1971 Broadway revival of No. No. Nanette...
...SOPRANO. Her mother is a pianist and a soprano; her father is a tenor and plays the trumpet. Ann Denbow, 21, of the New England Conservatory of Music, grew up in Ashley, Ohio, playing the piano, singing and dancing. Now, after besting 50 other voice students to be the conservatory's commencement soloist this year (with an aria from Mozart's The Abduction from the Seraglio), Denbow has her heart set on an operatic career-but she is realistic about her chances. "Sopranos are a dime a dozen," she says. "You just hope that you stick with...
Died. Ethel Barrymore Colt, 65, actress-singer daughter of Ethel Barrymore; of cancer; in Manhattan. Carrying the theatrical tradition of the House of Barrymore into the ninth generation, Colt made her acting debut at 18 performing alongside her mother in Scarlet Sister Mary. A lyric soprano, she later sang in concerts, nightclubs and with several opera companies, including the New York City Opera. She toured Europe with her one-woman revue of musical theater and returned to Broadway in Harold Prince's production of Follies...
...Tape. The conception by Italian Stage Director Filippo Sanjust was appealingly natural and gimmick free. He does, regrettably, have a tendency to rush his chorus on for its big moments, then get rid of it in a hurry. Despite a few intonation problems in the high range, Soprano Patricia Craig of the New York City Opera made a soulful Lisa. The Italian soprano Magda Olivero brought her legendary stage authority to the role of the Countess, although there is not much left of a once distinctive voice. As the obsessed Herman, Jack Trussel was the highlight of the show. Here...