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...comic tenor of the early part of the show is the hauntingly elegiac "Nothing to be Sure Of." A dirge on the familiar theme of the son lost at war, this duet is made memorable by the beautiful blending of Greg Gordon's baritone and Carol Flynn's crystalline soprano, the best voices in a generally proficient cast...

Author: By Julia M. Klein, | Title: Bicentennial Folly | 3/1/1976 | See Source »

Vivaldi: Juditha Triumphans (Birgit Finnilä, contralto; Ingeborg Springer, mezzo-soprano; Elly Ameling, soprano; Annelies Burmeister, contralto;. Berlin Chamber Orchestra, Vittorio Negri, conductor. 3 LPs; Philips; $23.94). Vivaldi composed his 1716 oratorio for his students at the Ospedale della Pietá. the Venetian orphanage where he taught music. The subject was a bloody one for schoolgirls: after beguiling the barbarian commander with words and wine, Judith seizes his sword and chops off his head. The score is sumptuous, propelled by the Baroque master's typical unflagging vitality. In this recording both male and female solo roles are sung...

Author: /time Magazine | Title: Music: Classical Records | 2/23/1976 | See Source »

Died. Lily Pons, 701sh, tiny coloratura soprano whose trilling delighted audiences worldwide for more than 30 years; of cancer; in Dallas. A prizewinning pianist at the Paris Conservatory, Pons switched to singing when she discovered she had perfect pitch and extraordinary vocal cords. In 1929 at the Opera House in Mulhouse, Alsace, she debuted in Lakmé, a role in which she later daringly appeared, navel exposed, in costume sans midriff. One of her most famous performances was at the Metropolitan Opera in 1931: she sang the difficult "Mad Scene" in Lucia di Lammermoor...

Author: /time Magazine | Title: Milestones, Feb. 23, 1976 | 2/23/1976 | See Source »

...Schoenberg would have had few complaints about Jan DeGaetani, the mezzo-soprano whose recording of his Book of the Hanging Gardens was just released on Nonesuch...

Author: By Joseph Straus, | Title: Albums | 2/19/1976 | See Source »

...drawing rooms of his own time-the work cries out for an elegant musical approach and superior acting on the part of the heroine. Both were in ample supply last week. At long last, Conductor Sarah Caldwell (TIME cover, Nov. 10) made her debut at the Met, and Soprano Beverly Sills sang her first Met Violetta-her second role there since her successful debut last April in The Siege of Corinth...

Author: /time Magazine | Title: Music: An Elegant Debut | 1/26/1976 | See Source »

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