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...film. Penn Warren’s narrator invokes moral ambiguity and empathy; Law annoys the audience with his poor Southern accent, lack of emotions, and unnaturally waxy skin. James Gandolfini truly disappoints as politician Tiny Duffy, simply adding a weak Southern accent to his alter ego of Tony Soprano. Kate Winslet’s awkward bangs and dye-job are more memorable than her portrayal of pseudo-femme fatale Anne Stanton; as her supposedly honorable brother, Mark Ruffalo’s limp presence seems equally superfluous to the central plot. BOTTOM LINE: The filmmakers do an excellent job of editing...

Author: By Kristina M. Moore, CRIMSON STAFF WRITER | Title: All the King's Men | 9/28/2006 | See Source »

...Norman Foster, with stained-glass panels by the artist Brian Clarke. Its art and sculpture were chosen to represent the world's major religions, to underscore the religious tolerance and respect that has been firmly established in a multiethnic country. An opening concert was headlined by legendary Spanish soprano Montserrat Caball?, as if to personify the harmoniousness and opulence Kazakhstan wants to project...

Author: /time Magazine | Title: Kazakhstan Comes On Strong | 9/27/2006 | See Source »

...Norman Foster, with stained-glass panels by the artist Brian Clarke. Its art and sculpture were chosen to represent the world's major religions, to underscore the religious tolerance and respect that has been firmly established in a multiethnic country. An opening concert was headlined by legendary Spanish soprano Montserrat Caballé, as if to personify the harmoniousness and opulence Kazakhstan wants to project. Perhaps the biggest surprise was the presence of Uzbekistan's President Islam Karimov. After the 1991 U.S.S.R. breakup, Uzbekistan looked down its nose at Kazakhstan - historically nomadic, steppe-locked, undeveloped - and Karimov claimed the role...

Author: /time Magazine | Title: Coming On Strong | 9/25/2006 | See Source »

DIED. Astrid Varnay, 88, Swedish-American soprano whose intense, passionate style energized some of the most demanding roles of German opera, including Strauss's Elektra and Wagner's Isolde, Kundry and Brunnhilde (she sang Brunnhilde more than 300 times); in Munich. Her career took off unexpectedly in 1941 after she was called in as a last-minute, last-choice understudy to play Sieglinde in Wagner's Die Walkure at New York City's Metropolitan Opera, where she eventually performed 200 times. Of her emotional style, she said, "I feel my roles first, then I put them into action...

Author: /time Magazine | Title: Milestones Sep. 18, 2006 | 9/10/2006 | See Source »

...told you it wasn't over until she sang. After London's Royal Opera House fired soprano DEBORAH VOIGT for being too portly for her signature role, Ariadne, in Richard Strauss's Ariadne auf Naxos in 2004, opera fans feared that the last refuge of the plus-size artist was gone. Two years later, Voigt has had gastric-bypass surgery and lost 135 lbs. (the equivalent, roughly, of one Mariah Carey) and the Royal Opera has rehired her for the 2007-08 season. Maybe the Royal Ballet will hire her next...

Author: /time Magazine | Title: People: Jul. 24, 2006 | 7/16/2006 | See Source »

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