Word: sopranoes
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Nancy Boyd, soprano, lacked purity Friday evening and was often blemished by curious shifts of timbre. Technically, however, she was in complete control and in her final number picked her way through a twisting coloratura passage and then leapt to a ringing high D. Tenor Roger Childs was called on only once--to sing "The Roasted Cygnet's Song," which lies in a stratospheric register--and Childs produced the notes as well as the proper quality of a wailing lament...
Trumpeted to dinner by the horn blast from Aida, 232 guests marched into the dining room at the Birnam Wood Country Club in Santa Barbara, Calif., to raise hosannas to Soprano Lotte Lehmann on her 80th birthday. It was the sort of occasion that called forth a telegram of congratulations from West German Chancellor Kurt Georg Kiesinger and commanded the presence of such votaries as Tenor Lauritz Melchior, Actress Judith Anderson and Conductor Zubin Mehta. "I am excited and overwhelmed," said Lehmann, who retired 17 years ago but still teaches master classes in voice at the University of California...
...language instructors. Today they are widely used in the music world as well. Conductor Herbert von Karajan saved rehearsal time for last year's Salzburg Festival production of Die Walküre by having the singers study cassettes made from his earlier recording of the opera. Mezzo-Soprano Regina Resnik taped a recording of Adriana Lecouvreur on her cassette and is now using it to learn the role she will sing next season...
Died. Doretta Morrow, 42, onetime Broadway beauty, star in The King and I and Kismet; of cancer; in London. Blessed with a crystal soprano, she rose to stardom as Tuptim in 1951's The King and I, went to Hollywood in Because You're Mine with Mario Lanza, and returned to more cheers with Alfred Drake in 1953's Kismet-then in 1960 tossed it all aside to marry a London insurance executive...
...illuminate such non-visual set components as actors. Bruce Yarnell, of Annie Get Your Gun fame, sang Escamillo with an ample baritone, but sounded ready to launch into "The Girl That I Marry" at the smallest provocation. Carole Bogard's Micaela had lots of potential but her lively soprano couldn't compensate for the inherent dullness of the role. Glade Peterson's powerful and expressive tenor seemed perfect for Don Jose, but he muffed the Flower Song and never fully recovered...