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Word: sopranoes (lookup in dictionary) (lookup stats)
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Just in case the thought runs through your fertile brain that I am a frustrated old maid: I am 27 years young, measurements 35-24-35, a redhead, and a mezzo-soprano at the Deutsche Oper. I am considered not to be a prude but to have especially discriminating taste...

Author: /time Magazine | Title: Letters: Mar. 17, 1967 | 3/17/1967 | See Source »

CAMERA THREE (CBS, 11-11:30 a.m.). A visit to the Manhattan home and singing classes of Soprano Jennie Tourel for her opinions of "The Artist as Teacher...

Author: /time Magazine | Title: On Broadway: Feb. 17, 1967 | 2/17/1967 | See Source »

...Herr denket" did, however, suffer slightly through being somewhat uniform in sound, especially since the entire soprano section sang the soprano aria, and all the men sang the tenor-bass duet, for no apparent reason. Part of the function of these solos is to break up the homogeneity of the choral sound, and though the chorus sang lightly and clearly enough to prevent their sounding rough or gross, the listener missed the delicate sound of individual voices singing ornate lines clearly intended for solo performance...

Author: By Robert S. Coren, | Title: The Cantata Singers | 2/13/1967 | See Source »

...elimination of these solos was all the more puzzling because the soloists did begin to sing in "Ich bin ein guter Hirt." Marsha Vleck, soprano; Jane Struss, contralto; Karl Dan Sorensen, tenor, and Francis Hester, bass, all sang clearly and sensitively, and, like the chorus, without any heaviness or pretension. Sorensen was especially fine, floating without apparent effort over long lines almost continuously in his highest register. Hester was stronger in "Ihr Menschen" than in "Ich bin ein guter Hirt," in which there were moments when he was almost covered by the orchestra. Penelope Ann Colwell and Cynthia Weinrich...

Author: By Robert S. Coren, | Title: The Cantata Singers | 2/13/1967 | See Source »

...daughter of German Tenor Anton Ludwig, also prepped as a cabaret singer during the hungry days after World War II, worked on the side as a seamstress (one of her more dubious creations: a red, white and black frock made out of an old Nazi flag). Her mezzo-soprano mother advised her "not to fall in love in a small opera house because then you may have to leave him behind when you go to a big house." Dutifully, Ludwig poured her heart into her art for nine years, finally graduated to the Vienna State Opera...

Author: /time Magazine | Title: Opera: The Happy Scrappers | 2/10/1967 | See Source »

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