Word: sopranoes
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Here is the effortless technique of Melba, formidable in the mad scene from a 1901 Lucia di Lammermoor. Here is the Italian tenor Emilio de Marchi, the first Cavaradossi, ringing the rafters with a triumphant Vittoria! in a 1903 Tosca. Here too is the white-hot French soprano Emma Calvé, a peerless Carmen; the Polish soprano Marcella Sembrich, who negotiates the Queen of the Night's treacherous coloratura con molto brio in a 1902 Magic Flute; and the soaring American soprano Nordica (née Norton), who must have been one of the most glorious Brünnhildes in history. And here...
Aside from a somewhat shaky performance from Rumanian-born Soprano Ileana Cotrubas, who sings Magda, the Lyric's handsome, glittering production is cast with young Americans. Originally presented in 1981 at Pisa's Teatro Comunale G. Verdi, it is directed by Giulio Chazalettes, who might have made more of Rondine's disillusioned subtext and in so doing brought out its richer texture. But as performers gradually realize the opera's possibilities, harder-edged interpretations will no doubt follow...
...always been a prime exponent of Italian opera in the U.S., a kind of La Scala West. Under Carol Fox, its late founder and general manager, Maria Callas made her American debut in a sizzling Norma, and the Lyric became home to such 1950s and '60s legends as Soprano Renata Tebaldi, Tenor Giuseppe di Stefano and Baritone Tito Gobbi. By 1980, though, economic troubles had put the company $300,000 in the red, and Fox was forced to resign...
...million this year, and the number of productions will increase from eight to nine next year. Ticket sales have run at 92% of the opera house's 3,520-seat capacity. Quality is high too: this season, Bellini's bel canto I Capuleti e i Montecchi with Soprano Cecilia Gasdia and Mezzo Tatiana Troyanos was an unexpected smash hit, and the Lyric's tradition of presenting operatic superstars continued with Joan Sutherland in Donizetti's Anna Bolena...
DISCOVERED. A previously unknown ARIA by Johann Sebastian Bach, among a collection of 18th century folio prints that had been removed from a library shortly before it was destroyed by fire last September; by a researcher at the Bach-Archiv foundation; in Weimar, Germany. The piece, for soprano with string or keyboard accompaniment, was written in 1713 when Bach was 28 and is the first composition by him unearthed since the 1975 discovery of new sections of the Goldberg Variations. Although the foundation says the aria isn't a major work, it considers it "a casual piece of exquisite quality...