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Friday, April 15. Harvard-Radcliffe Orchestra presents “Hindemith,” and “Songs for Soprano and Orchestra.” 8 p.m., Sanders Theatre. $8-13, $6-10 students. Tickets available at Harvard Box Office...

Author: NO WRITER ATTRIBUTED | Title: HAPPENING | 4/15/2005 | See Source »

Among living performers, the Three Tenors, singer Andrea Bocelli, Levine with his many Metropolitan Opera productions and the vivacious soprano Cecilia Bartoli are just a few of the leading DVD sellers. Cases in point: Levine's two-disc version of Tristan and Isoldewith the Met, featuring tenor Ben Heppner and soprano Jane Eaglen, on Deutsche Grammophon ($39.98), and Cecilia Bartoli Sings Mozart and Haydn,a two-disc set with the Concentus Musicus Wien conducted by Nikolaus Harnoncourt, on BBC/Opus Arte...

Author: /time Magazine | Title: Music: Catch an Opera at Home | 4/10/2005 | See Source »

Peritz, who was accepted to an undergraduate music conservatory as a mezzo soprano singer, decided to come to Harvard largely because of its strong opera program. She says the prospect of simultaneously enjoying rigorous academics and leading roles in operatic productions made Harvard an attractive choice for college...

Author: By Anna M. Friedman, CONTRIBUTING WRITER | Title: Campus Operas Draw Student Talent, Fans | 4/6/2005 | See Source »

Many psychotherapists consider Dr. Melfi, the leggy shrink who counsels murderous mafioso Tony Soprano on HBO's The Sopranos, one of television's most realistic depictions of their work. Now the actress who plays her, Lorraine Bracco, is ready to discuss a real-life mental-health problem of her own. In TV spots launching next month and on a website for Pfizer, the Brooklyn-born actress will describe her struggle with depression. Bracco is just the latest celebrity to go public with such a personal admission. Last summer Jane Pauley spilled the beans on her bipolar disorder, and this spring...

Author: /time Magazine | Title: Dr. Melfi Talks About Her Blues | 2/20/2005 | See Source »

...veteran musicians with more than 25 years of experience between them, and it’s no surprise that they look calm and collected, as the emcee cues them to begin. As Froger’s fingers dance across the keyboard and the notes of Lee’s soprano saxophone fill the air, it is hard to believe that the duo had taken less than a day to compose the piece and less a week to rehearse...

Author: By Kimberly A. Kicenuik, CRIMSON STAFF WRITER | Title: Benefit Unites Performers | 2/18/2005 | See Source »

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