Word: sopranoes
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Beethoven: Fidelio (Mezzo-Soprano Christa Ludwig, Tenor Jon Vickers, Basses Gottlob Frick and Walter Berry; the Philharmonia Orchestra and Chorus, conducted by Otto Klemperer; Angel, 3 LPs). An easy-breathing, expansive performance notable for the clarity of its orchestral effects. There are more dramatic Fidelias but none with quite the same air of authority that Klemperer musters here. Mezzo Ludwig's singing is pure, true and warm; she creates a Leonora that is consistently moving and everywhere credible...
...Vienna premiere of Benjamin Britten's opera A Midsummer Night's Dream in the city's renowned Staatsoper, the Austrian government bestowed its highest musical tribute on the Connecticut-born beauty singing the leading role of Titania. She was Soprano Teresa Stich-Randall, 34, who for the past ten years has made Vienna home base and last year took her first bows at the Met. Her new title: Kammersängerin (chamber singer), the first time an American-born artist has ever received the award...
...great opera-or even a very good one. Chénier, as General Manager Rudolf Bing candidly admitted, was the right length for an opener, and it had enough intermissions (three) to give first-nighters plenty of touring time in corridors, restaurant and lobbies. With Tenor Franco Corelli and Soprano Eileen Farrell in the lead roles, Chénier gave the audience an evening easy on the ears-and light on the emotions...
...Soprano Ingrid Bjoner was generally first rate as a shyly aggressive Eva. Bass Karl Doench was appropriately repellent as Beckmesser, the malevolent town clerk whom Wagner created as a caricature of one of his most caustic critics-Viennese Music Critic Eduard Hanslick. The chorus and extras were drilled with spectacular precision, creating at the end of Act II one of the most convincing pillow-throwing, hair-pulling riots a Met Meistersinger has ever seen...
...Voice of Firestone (ABC, 10-10:30 p.m.). Guests: Tenor Richard Tucker, Ballerina Maria Tallchief, Soprano Patrice Munsel...