Word: sopranoes
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MOZART: Don Giovanni. Samuel Ramey, Don Giovanni; Ferruccio Furlanetto, Leporello; Anna Tomowa-Sintow, Donna Anna; Agnes Baltsa, Donna Elvira; Kathleen Battle, Zerlina; Herbert von Karajan conducting the Berlin Philharmonic (Deutsche Grammophon). Salzburg Recital. Soprano Kathleen Battle, Pianist James Levine...
...beginning of Bye Bye Verdi is carried by Remo Airaldi who plays the hefty soprano Aida Lottapasta. Airaldi, who was overwhelming in The Skin of Our Teeth on the Loeb Mainstage in the fall, has captured perfectly the grotesque spirit of the Pudding parody. He is resplendent in a purple gown bedecked with link sausages and a headress of large kitchen utensils. His surreal demeanor is playful as he traipses about the stage a sneer--and a snack--always at hand...
Cast president Nick Weir as country singer Willie Everstop and Jon Blackstone as soprano Kiri On-Luggage (whose costume is a show-stopper) are a delightful pair of misfit lovers whose voices carry them through the show's strongest duet...
...easy loping walk through the meadows, Moses sings a warrior song. There is a falsetto line of rapid narrative in these songs that is interrupted with a chorus of bass organ tones fetched from deep in the chest -- low, menacing warrior iterations, animal noises proclaiming war beneath the almost soprano narration. Moses is performing both the falsetto and the deep, sinister chorus. The deep tones of the chorus are like the lowest register of a fierce harmonica. The song is about the Masai clans, about old drought and famine. An old laibon says, don't worry, because the warriors will...
...tamest in execution. Schneidman rather naively promised an "arena of the psychodrama buried deep in the tomb of the unconscious," but what occurred onstage was a fairly standard day in the death of the House of Atreus. The real pleasures of the production were the whiplash performance of Soprano Hildegard Behrens in the title role and the gloriously haunted Klytemnestra of Mezzo Christa Ludwig. Conductor Seiji Ozawa, leading his first Elektra, sought out the brutal score's elusive lyric elements and found most of them...