Word: sopranos
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Dates: during 1920-1929
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...this Verdi wrote songful dramatic music which 80 years ago had great success. Last week it was stamped by most listeners as pleasant, old-fashioned stuff significant only because it gives a hundred hints of the later, greater Verdi. Distinguishing feature of the performance: the sumptuous singing of Soprano Rosa Ponselle, prevented by a severe throat affection from appearing earlier in the season...
Those who knew anything of the career of Soprano Hallie Stiles were astonished when it was announced that her first formal U. S. appearance would be in the Germanic Lohengrin. Artistically she is a Paris product. Born in Stockton, Calif., she went, aged ten, to Syracuse, N. Y., where her father became Professor of Anatomy in Syracuse University. Vassar was chosen by Professor Stiles as the college for his daughter but she chose to study singing, went to Manhattan, thence to Europe. At a party in Paris Hallie Stiles had what she calls her "great luck." The director...
During recent years Spain has sent the U. S. many an expert musician. 'Cellist Pablo Casals and Soprano Lucrezia Bori led the procession. They were followed by Conductor Enrique Fernandez Arbos, guest of the St. Louis Symphony, Guitarist Andrès Segovia, and Dancer Argentina who makes music with her heels and castanets. This year has added two more names, the Aguilar Lutanists (TIME, Dec. 2) and José Iturbi, famed throughout Europe and South America as Spain's greatest pianist...
Last week a third fiasco occurred. A newly organized Boston Grand Opera Company (in whose personnel were Russian Soprano Anna Lissetzkaya, Baritone Pasquale Amato, Soprano Dorothy Speare) was scheduled to open its second week. Singers backstage applied their makeup, practiced their trills. A thousand patrons arrived. But the Opera House doors remained closed. The performance was canceled, money refunded. Reason: a $15,000 deficit...
...revival was a gala occasion. A throat affliction prevented Soprano Rosa Ponselle from appearing as Donna Anna. But Leonora Corona, pretty, fat-cheeked Texan, sang creditably if not brilliantly a role she had had only four weeks to prepare. Other interpretations were careful, unexciting. Italian Ezio Pinza made a dashing Don in brocaded breeches and wide-plumed hats, but his voice lacked the subtlety needed for Mozart's tunes...