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Word: sopranos (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...over to whisper hello to Jacqueline Kennedy, black-draped in the pew ahead, and received an icy stare in return. Such soulful spirituals as My Heavenly Father, Watch Over Me and If I Can Help Somebody were rendered so poignantly by Contralto Mary Gurley and Mrs. Jimmie Thomas, a soprano, of the Ebenezer Church Choir that Singer Mahalia Jackson, the misty mistress of mourning, began to weep silently...

Author: /time Magazine | Title: Nation: King's Last March | 4/19/1968 | See Source »

Wednesday night Miss Wilsen presented a recital for soprano remarkable for its originality. Instead of the usual chronological sequence of song groups by Schubert, Schumann, Faure, Wolf, Debussy, and so on, her program was divided between Cantata No. 51 of J.S. Bach ("Jauchzet Gott in allen Landen"), setting by various composers of Goethe's "Rastlose Liebe" and Paul Verlaine's "Clair de lune," along with the cycle On This Island by Benjamin Britten to poetry of W. H. Auden...

Author: By Robert G. Kopelson, | Title: Carlotta Wilsen | 4/19/1968 | See Source »

...performance at Holmes unfortunately revealed serious technical problems in handling the music. The Bach solo cantata was the closest to coloratura the Master ever came, and is a tough order for anyone to handle. Wednesday night Bach's elegant roulades were indistinct and slow; the tempo dragged at every soprano entrance. The accompanying trumpet, string quartet, and harpsichord, though. perfectly competent, was unconducted and therefore had major difficulties with ensemble...

Author: By Robert G. Kopelson, | Title: Carlotta Wilsen | 4/19/1968 | See Source »

BELL TELEPHONE HOUR (NBC, 6:30-7:30 p.m.). "Going to Bethlehem." Highlights of last spring's annual Bach Festival in Bethlehem, Pa., featuring Soprano Judith Raskin, Bass Cesare Siepi and a 200-voice choir...

Author: /time Magazine | Title: Television: Apr. 12, 1968 | 4/12/1968 | See Source »

Nancy Boyd, soprano, lacked purity Friday evening and was often blemished by curious shifts of timbre. Technically, however, she was in complete control and in her final number picked her way through a twisting coloratura passage and then leapt to a ringing high D. Tenor Roger Childs was called on only once--to sing "The Roasted Cygnet's Song," which lies in a stratospheric register--and Childs produced the notes as well as the proper quality of a wailing lament...

Author: By Lloyd E. Levy, | Title: Harvard Glee Club | 3/25/1968 | See Source »

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