Word: sopranos
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Dates: during 1960-1969
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...quota. There is a Fair Lady to swing to (by Andre Previn), another to sway to (by Sammy Kaye), one to weep by (Andy Williams), and one to sleep by (Percy Faith). There is also the new movie soundtrack, which has Rex Harrison in fine, fierce fettle. But Soprano Marni Nixon, dubbing in the voice of Eliza for Audrey Hepburn, sings with more finish than fire. Lovers of Broadway's fair lady, Julie Andrews, will insist on the original-cast recording, which has sold 5,000,000 copies...
...turtle race with her pet "Knight," while dozens of girls danced the monkey and the bird. Miss Teenage Memphis disapproved, saying: "I feel I cannot live for God and participate in the vulgarity of some of the modern dances." When the feathers settled, the winner was a gleeful soprano, Carolyn Mignini, 17. a Baltimore oriole who will use her $10,000 prize to study at Juilliard...
While flying to Manhattan to sing in a benefit concert for the Southern Chris tian Leadership Conference, Soprano Coretta Scott King, 37, wife of the conference's leader, the Rev. Martin Luther King Jr., 35, struck up a conversation with her seat mate, a white girl from Louisiana who recognized her. Was the topic race relations? Peaceful resistance? Well, not exactly, said Mrs. King. "We're both a middle child, and if you're a middle child and can survive, I've always said that you can survive anything...
...burning question mark of this sumptuous adaptation is Audrey Hepburn's casting as Eliza, the role that Julie Andrews had clearly been born to play. Purists may cavil that Hepburn's singing voice, most of it dubbed by Soprano Marni Nixon, sounds too much like Julie and not enough like Audrey. But after a slow start, when the practiced proficiency of her cockney dialect suggests that Actress Hepburn is really only slumming, she warms her way into a graceful, glamorous performance, the best of her career...
...love all those demented old dames of the old operas," she says. "They're loony, but the music's wonderful." The following evening offered Soprano Elisabeth Schwarzkopf, 49, making her belated debut at the Met singing the demanding role of the Marschallin in Der Rosenkavalier. Blondly radiant, and in sure control of her pure soprano, grown a shade harder over the years, Schwarzkopf proved that her Marschallin is still the most memorable since Lotte Lehmann's in the 1930s...