Word: sopranos
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Dates: during 2000-2009
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Here is the effortless technique of Melba, formidable in the mad scene from a 1901 Lucia di Lammermoor. Here is the Italian tenor Emilio de Marchi, the first Cavaradossi, ringing the rafters with a triumphant Vittoria! in a 1903 Tosca. Here too is the white-hot French soprano Emma Calvé, a peerless Carmen; the Polish soprano Marcella Sembrich, who negotiates the Queen of the Night's treacherous coloratura con molto brio in a 1902 Magic Flute; and the soaring American soprano Nordica (née Norton), who must have been one of the most glorious Brünnhildes in history. And here...
Aside from a somewhat shaky performance from Rumanian-born Soprano Ileana Cotrubas, who sings Magda, the Lyric's handsome, glittering production is cast with young Americans. Originally presented in 1981 at Pisa's Teatro Comunale G. Verdi, it is directed by Giulio Chazalettes, who might have made more of Rondine's disillusioned subtext and in so doing brought out its richer texture. But as performers gradually realize the opera's possibilities, harder-edged interpretations will no doubt follow...
DISCOVERED. A previously unknown ARIA by Johann Sebastian Bach, among a collection of 18th century folio prints that had been removed from a library shortly before it was destroyed by fire last September; by a researcher at the Bach-Archiv foundation; in Weimar, Germany. The piece, for soprano with string or keyboard accompaniment, was written in 1713 when Bach was 28 and is the first composition by him unearthed since the 1975 discovery of new sections of the Goldberg Variations. Although the foundation says the aria isn't a major work, it considers it "a casual piece of exquisite quality...
...love is surely what the world of contemporary music feels for Liza (pronounced Lee-za), 38. Barely out of the VCA, Lim was approached by Germany's Radio Bremen to create a new work for soprano and orchestra, and the febrile Voodoo Child (1989) was born. A flood of commissions followed, climaxing last year with her most ambitious work, Ecstatic Architecture, for the Los Angeles Philharmonic's inaugural season at the new Walt Disney Concert Hall. Inspired by Frank Gehry's gravity-defying architecture, the piece saw Lim's musical standing soar. In November, the Festival D'Automne in Paris...
...nowhere else, the bond between the musicians is evident in their playing, and as they launched into the bleak but gorgeous “Four Last Songs†by Strauss with Lucy Shelton singing soprano, the audience could only look on with admiration. The music, for all its complexities, sounded deceptively effortless...