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DIED. Maria Jeritza, 94, soprano golden girl of opera's golden age; in Orange, N.J. Combining a radiant voice with flamboyant acting, the Austrian-born singer began her ascent to stardom in 1912, when the Emperor Franz Josef invited her to join the Vienna Royal Opera. At the Metropolitan Opera, where she sang from 1921 to 1932, the director reported that the largest ovation he had ever heard followed her "Vissi d'arte, "the great second-act aria in Tosca; she sang it prostrate on the floor. A tempestuous diva onstage and off, Jeritza gathered three husbands, prompted...

Author: /time Magazine | Title: Milestones: Jul. 26, 1982 | 7/26/1982 | See Source »

...Gaylin make abundantly clear in their equally compelling accounts of the case, what actually happened that morning in Bonnie's bedroom was to have less bearing on subsequent events than what had gone before. Bonnie, an affectionate, vivacious woman with a mane of red hair and a fine soprano voice, came from a well-to-do suburban family. Richard, an illegitimate child, was a product of the Los Angeles barrio. The lovers met at Yale, of which Bonnie's father was a prominent alumnus; she was a freshman and Richard was a senior. Despite the differences in their...

Author: /time Magazine | Title: Books: An American Tragedy | 6/21/1982 | See Source »

...Rake-inspired by the famous series of Hogarth engravings-tells the story of Tom Rakewell (Tenor Gösta Winbergh), a naive but lustful country boy who falls under the spell of the Devil, Nick Shadow (Baritone Istvan Gati). Abandoning his sweetheart Anne Trulove (Soprano Cecilia Gasdia) for the fleshpots of London, Tom sinks ever deeper into degradation until he finally goes mad and is committed to Bedlam. In Russell's production, Tom sports a gold lame suit and a Sony Walkman. Baba the Turk, the bearded lady whom Tom marries, is a blind pop celebrity in a bright...

Author: /time Magazine | Title: Music: Rousing the Rake in Florence | 6/7/1982 | See Source »

...Alice Ford, Soprano Katia Ricciarelli sang with a lustrous tone that matched her resplendent blond beauty and sparkling stage presence. Hers is a voice that can both beguile with gentle lyricism and blaze with the incandescence of a high-spirited diva. Other noteworthy performances came from American Mezzo Brenda Boozer, who made a lively Meg Page, and Soprano Barbara Hendricks and Tenor Dalmacio Gonzalez, who sang touchingly as the young lovers. British Director Ronald Eyre kept the action crisp; he was correctly content to execute the composer's wishes, rather than impose a fashionably idiosyncratic view...

Author: /time Magazine | Title: Music: A Fresh Falstaff in Los Angeles | 4/26/1982 | See Source »

...from a freshman: Nan Hughes as Tessa, one of the gondoliers' brides. Hughes is a natural actress, and her commanding, sensuous mezzosoprano is the vocal equivalent of chocolate-chocolate chip ice-cream. Margery Hellmold's performance as Casilda is further proof that first-rate singers enroll at Harvard: her soprano has a rare purity and vigor but never becomes inappropriately operatic...

Author: By Michael W. Miller, | Title: Venetian Treat | 4/21/1982 | See Source »

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