Word: sopranos
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...agrees Soprano Kiri Te Kanawa, an unusual name. At Covent Gar den last year, Basso Cesare Siepi kept asking, "Where is Kanawa?" as he looked around for a Japanese singer. In fact, the elegant Kiri is a New Zealander, the descendant on her father's side of a Maori chieftain. She now lives in England, where for the past three years her star has been steadily rising. Last week Kiri began to shine in New York too. In the grandest of operatic traditions, she made her Metropolitan Opera debut on a mere three hours' notice. Substituting...
...grand confrontation in which every body perceives everybody else's seeming treachery. Or to find that Verdi has rarely written anything lovelier than Elena's farewell to Arrigo, "Ah, parli a un core." Spinning out its delicately chromatic cantilena like the mistress of cantabile that she is, Soprano Caballe stopped the show for a full two minutes and 45 seconds. The applause ceased only when Caballe held up a palm and signaled Levine to continue...
...obscure opera singer is kneeling on the floor of a small apartment in Munich. Before her lie cloth and scissors. She is making her own costume for another night's work in another small town. Suddenly, word arrives that in Manhattan the fabled Metropolitan Opera desperately needs a soprano in Wagner's Tristan und Isolde. Off goes our heroine in her Lufthansa pumpkin and lands the job. The audiences love her. So do the critics. The New York Times announces on Page One: "A triumph...
...there is a fairy tale to keep every frustrated diva or divo going strong, that, more or less, is it. Last week the dream came true for Brooklyn-born Soprano Klara Barlow, 45. In a dozen years of big parts with minor companies and substitute assignments in major houses, Klara never stopped believing. Now she was on the great stage of the Met, making rapturous musical love to handsome Jess Thomas, the reliable Wagnerian tenor. When at last she died by Thomas' side at the end of the Liebestod, the crowd went wild...
...lower order. The role is one of the most demanding in opera, and while Barlow is an expressive singer, she is weak in both the top and bottom of her range. Nilsson, in other words, need not worry, as Barlow admits with engaging candor. "Nilsson is a high dramatic soprano-the only honest one. The rest of us sing in our own way. But if you can get up there onstage and carry it off, instead of having opera houses closed for lack of great voices...