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...SORCEROR. The Harvard-Radcliffe Gilbert and Sullivan Players promise to transform the Agassiz Theatre into the parodied Victorian England of The Sorceror. The duo’s first full-length operetta, also known as “The Elixir of Love,” follows “John Wellington Wells, a dealer in magic and spells” as he causes mayhem with his love potions in true Gilbert and Sullivan style. Though the show pokes fun at the outdated Victorian values of its time, the fresh and lighthearted score can still charm and entertain modern audiences. Through Saturday...

Author: By The CRIMSON Staff, CRIMSON STAFF WRITER | Title: LISTINGS -- April 11 to 17, 2003 | 4/11/2003 | See Source »

What makes the play memorable, though, is the virtuoso acting of Ben Evett as Ariel and Kerrick Johnson as Caliban, the sorceror Prospero's two slaves. Ariel and Caliban are pivotal figures, representing the opposing realms of Air and Earth that lie at the heart of Shakespeare's thematic dilemma. And in this production, Evett and Johnson can hardly do wrong, expertly treading the line between man and spirit that make these two of Shakespeare's more difficult roles...

Author: By Ariz Posner, | Title: Not the Sum of Its Parts | 5/2/1986 | See Source »

...Queen, it seems, has chosen Tamino to help her retrieve her beautiful daughter Pamina from the evil clutches of the Sorceror Sarastro, the Queen's devilish adversary. Setting out for Sarastro's palace with comedic bird-catcher Papageno for company and a magic flute to charm away all evils, Tamino eventually finds Pamina unscathed and virtue intact but ready for love once the right man has come along...

Author: By Lea A. Saslav, | Title: Flat Flute | 3/14/1986 | See Source »

Singing aside, Tucker McCrady's playing of the sorcerer who sold the love potion to Alex had the sold-out audience roaring with laughter. However, his one-liners and humorous antics could not save The Sorceror from an overall lack of energy. The blame for this major flaw falls on the shoulders of director Thomas P. Large. His attempt to spice up the play with jokes not originally in the script failed to enliven his production...

Author: By Matthew H. Joseph, | Title: Lackluster Sorcery | 12/12/1985 | See Source »

...whole, The Sorceror suffers less from such strains as from lack of energy and an oddly somber tone. One's expectations for the liveliness of a Gilbert and Sullivan highlight this failing. If you've never seen a Gilbert and Sullivan play before, you might enjoy this performance. But if you've seen one before, you may not want to see them...

Author: By Matthew H. Joseph, | Title: Lackluster Sorcery | 12/12/1985 | See Source »

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