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DIED. ALBERTO SORDI, 82, actor who helped popularize postwar Italian comedies; in Rome. The working-class Sordi started out dubbing voices for radio, then went on to play roles ranging from doctors and cab drivers to Fascist officers in more than 160 movies. Most memorably, he played the title character--a spoiled soap-opera star who is the object of a small-town bride's romantic fantasies--in Federico Fellini's 1952 classic The White Sheik...

Author: /time Magazine | Title: Milestones Mar. 10, 2003 | 3/10/2003 | See Source »

...DIED. ALBERTO SORDI, 82, legendary comic actor who personified the postwar Italian male, with all his vices and virtues, during a career that spanned more than 50 years; in Rome. Known to Italians as "Big Alberto," Sordi often played an ordinary man in extraordinary circumstances. He appeared in more than 160 films, although he is best known internationally for his role in the 1965 adventure-comedy Those Magnificent Men in Their Flying Machines...

Author: /time Magazine | Title: Milestones | 3/3/2003 | See Source »

...fairness, though, Viva Italia! does have a couple of good scenes among the tasteless dreck that compounds the greater part of this 90-minute exercise in self-discipline (it took a lot of selfdiscipline to remain in my seat). Alberto Sordi comes up with a truly funny bit as the sybaritic driver of a Rolls-Royce, who encounters an accident victim lying in the road. Although this idly rich fellow is on his way to a family dinner, he is willing to take the poor victim to the hospital. Unfortunately, no hospital will take the dude, and while Sordi prattles...

Author: By Andrew Multer, | Title: Missing the Mark, Italian Style | 8/15/1978 | See Source »

...Alberto Sordi's performance lends depth to Nanni Loy's savage comedy about a false arrest...

Author: /time Magazine | Title: Cinema: The Year's Best Films | 1/1/1973 | See Source »

...series of such miniature combats, of ironies and outrages made acute because they are so palpably possible. Di Noi is too self-effacing for an Everyman, too funny for a Job. He is only ordinary, but through Sordi and Loy he is remarkably and indelibly...

Author: /time Magazine | Title: Cinema: Rhetorical Question | 12/11/1972 | See Source »

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