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There is little need of considering "Le Misanthrope", which was performed by Mile. Sorel and her associates as the third bill of their repertory this week at any length as a play, for doubtless every reader will recall from the hours of school or college courses this the wittiest of all Moliere's dramatic work. For those who have forgotten, a glance at any of its editions in one of the "modern language" series will recall its brilliant satiric arraignment of the foibles of society, its unusual insight into the souls of men and women, and its succession of significantly...

Author: By B. K. L., | Title: THE CRIMSON PLAYGOER | 12/2/1922 | See Source »

...role of Celimene, Mlle. Sorel brought her reputation, her usual studied technique, and her scintillating costumes, but she brought, no feeling of definite characterization, no gripping conviction of flesh and blood and human sensibilities. To one who had seen her in the two previous productions, she was again Mlle. Sorel, the Doucet-costumed, the brilliant technician, the vivid personality, yea, even "the magnificent", but not the sincere worker in the art of portraying character. One begins to suspect, in fact, that Mademoiselle has a very clever press agent...

Author: By B. K. L., | Title: THE CRIMSON PLAYGOER | 12/2/1922 | See Source »

...second performance at the Boston Opera House, Mlle. Cecile Sorel, assisted by M. Albert Lambert and M. Louis Ravet, chose Dumas-fils' "La Dame Aux Camelias". IT was and interesting performance of a play that was once totally interesting. To the French mind we are a sentimental nation that has never yet outgrown this theatre story of a certain bad lady purified by her love for a certain stupid and cadish young man. For that reason the French company now in Boston has chosen "La Dame Aux Camelias" for three performances and billed "Le Misanthrope" for only...

Author: By J. C. R., | Title: THE CRIMSON PLAYGOER | 12/1/1922 | See Source »

...part of Marguerite Gautler, Mlle. Sorel brings her highly diverting and colorful personality, her strutful walk, her studied poses, her technical certainty, her well-managed voice. More affecting and effective is she in the part of this naughtly lady regenerated by love than as the Dona clorinde of Augier's "L'Aventurere" playing with a deeper sincerity and greater conviction. She was highly amusing in the lighter passages, and once or twice she actually gripped in emotional scenes. And her costumes, which are always half the exhibition when Mlle. Sorel appears, were not only more tasteful and beautiful...

Author: By J. C. R., | Title: THE CRIMSON PLAYGOER | 12/1/1922 | See Source »

Boston is the only city except New York that Mlle. Sorel will visit in the United States. Her leave of absence from the Comedie Francaise expires December 12th and she must resume her place at that theatre at that time...

Author: NO WRITER ATTRIBUTED | Title: MLLE. SOREL TO ACT IN REPERTOIRE NEXT WEEK | 11/25/1922 | See Source »

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