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...girl who leaves him for a more successful writer and a career on the stage, simply do not generate enough excitement as the principle characters. Some of the actors cannot convincingly portray characters who are supposed to be older than they are. Frank Leupold, as the old man, Sorin, exaggerates his senility too much to be effective. Scott Munerbrook, as the successful writer Trigorin, on the other hand, looks and acts too young for the part. There were, however, two fine performances, by John Archibald as Doctor Dorn, and Anne Garrels as the aging but beautiful actress Arkadina. Both...

Author: NO WRITER ATTRIBUTED | Title: A Handful of New Productions | 12/4/1971 | See Source »

...closed off to the turmoil of the dilating implications of things, a receptivity which may be inspirational or insinuative. Arkadina is steady and caustic, overbearing in her rationality, but qualified by patronization. Perhaps she senses that the people around are children, but she is unable to go beyond that. Sorin, oar and infirm, feels he has lost out on life and is probably right. He hates to be contradicted by Yevgheniy, a doctor (the only one who likes Konstantin's play), when he says he is miserable. Nina wants to marry the famous writer. The old man, Sorin, has unconscious...

Author: By M. CHRIS Rochester, | Title: Chekhov | 5/4/1970 | See Source »

Chekhov's narrative is meticulously simple, containing, as he put it, "much talk of literature, little action, and five poods* of love." Director Sidney Lumet, who hammered home The Pawnbroker, pummels away at Chekhov's plot. At the country estate of a retired civil servant named Sorin (Harry Andrews) is assembled a group of people who over the course of two years will quietly destroy one another: Sorin's sister Arkadina (Simone Signoret), an aging actress vacationing in the country with her lover Trigorin (James Mason), a successful author; Arkadina's son Konstantin (David Warner...

Author: /time Magazine | Title: Cinema: Quiet Destruction | 1/3/1969 | See Source »

Peter Weil as Sorin, and John Ross as Dorn created distinct characters; Johanna Madden, as Masha, created a superb one. All three maintained the tone and pace of the production perfectly, in their individual scenes...

Author: By Harrison Young, | Title: The Seagull | 11/19/1964 | See Source »

After 37 hard years, Sorin's proud achievement was a tightly disciplined college, modeled on a French boarding school. Then the place burned to the ground. Sorin concluded that the Mother of God had "to show me that my vision was too narrow." In four months flat, Sorin and the faculty raised the huge main building that still stands, topped with the golden dome that is Notre Dame's landmark. The school pushed on with its work, for many years under the Rev. William Corby, whose campus statue has long tagged him as "Fair Catch" Corby...

Author: /time Magazine | Title: Education: God & Man at Notre Dame | 2/9/1962 | See Source »

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