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...productions this year. There is no doubt that the settings and other theatrical aspects of its productions are excellent, but the overwhelming assets of the Ballet Theatre still lie in its repertoire and subordinate dancers. No one can approach a list of productions including Pillar of Fire, Fair at Sorochinsk, Fancy Free, Interplay, the new Facsimile, and a wide range of more familiar numbers. Ballets like Fancy Free have retained surprisingly well the fresh impact that made them famous originally, and the Ballet Theatre still treats them with just the right combination of wit and energy...

Author: By J. P. L., | Title: The Balletgoer | 11/23/1946 | See Source »

...handling the more difficult roles, and second-rate in its ensemble dancers. But the main shortcoming of the company is imagination, the kind of imagination in choreography and staging that enables the Ballet Theatre to give productions like its "Firebird" (with sets by Chagall!), "On Stage," or "Fair at Sorochinsk," efforts that the Ballet Russe perhaps through unavoidable monetary restrictions--would never even try to equal...

Author: NO WRITER ATTRIBUTED | Title: The Balletgoer | 5/9/1946 | See Source »

David Lichine, Rostov-born, Paris-trained alumnus of Ida Rubinstein's troupe and one of the few choreographers who is equally famed as a dancer of male leads. A rival of Massine, Lichine resembles him in his love for flamboyant spectacle (Fair at Sorochinsk, Francesca da Rimini) and sophisticated satire (Helen of Troy, Graduation Ball...

Author: /time Magazine | Title: Music: For Whom the Tutus Toss | 11/15/1943 | See Source »

...world last week launched the freshest, most bumptious U.S. opera troupe on its second Manhattan season. The impresario is Hungarian-born Yolanda Mero-lrion of the youthful New Opera Company. For openers, Impresario Irion chose The Opera Cloak, Walter Damrosch's latest one-acter, and The Fair at Sorochinsk, a rollicking opus by Russia's rum-nosed Immortal, Modeste Moussorgsky. Eighty-year-old Composer Damrosch conducted his curtain raiser without drowning out the audience's spirited conversation. But for The Fair at Sorochinsk, they sat up, shut up and pounded their palms with...

Author: /time Magazine | Title: Music: The Mero-lrion | 11/16/1942 | See Source »

Manhattan critics agreed that the New Opera Company had done a better job with The Fair at Sorochinsk than the venerable Metropolitan does...

Author: /time Magazine | Title: Music: The Mero-lrion | 11/16/1942 | See Source »

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