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Word: sorrowful (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Richard Sorge left private misery and public ruin in his spoor; history may remember him for a bitter, accidental play on words. His name in German spells "sorrow." As Sorge went about his dreadful career, Pope Pius XI was preparing his famous German-language encyclical against totalitarianism, whose opening words are: "Mit brennender Sorge [With burning sorrow...

Author: /time Magazine | Title: Books: His Name Meant Sorrow | 1/9/1956 | See Source »

Umberto D. The camera sips, more in sorrow than in anger, the dregs of old age; Vittorio De Sica writes a fine finis to the neorealist era in Italian cinema (TIME...

Author: /time Magazine | Title: Cinema: First Choice: 1955 | 12/26/1955 | See Source »

...when Roberto displeased her. Anna cleared a restaurant table with one queenly swipe of her forearm. When he left her for Ingrid Bergman, Magnani sulked in her flat. "I am a desperate woman," she announced. "When 1 suffer, I must suffer until my heart breaks." Nevertheless, Anna quickly sublimated sorrow into art. What another actress must grasp with her intelligence Magnani has in her blood. "Myself," she says, "I have so much boiling inside I had to become an actress. If I had not L think I could have become a great criminal...

Author: /time Magazine | Title: Cinema: World's Greatest Actress | 12/19/1955 | See Source »

...have been combined with the plot of a well-known melodrama, The Man Who Played God. Liberace could now express his musical talents as Beethoven, and satisfy his dramatic instincts in a part played by George Arliss. Even so, there were some "facets" left over. Liberace listed them: "Joy, sorrow, faith, love of family, love of children, and honesty." Obviously, a third theme was necessary; the story of a poor man's Paderewski who is nevertheless "an authentic genius" and gives pleasure to the millions...

Author: /time Magazine | Title: Cinema: The New Pictures, Nov. 21, 1955 | 11/21/1955 | See Source »

Novelist Dennis will give no comfort to those who simply want to cling to familiar values. He laughs at everybody, including ex-Communists and the church. But he writes neither in sorrow nor in anger and achieves not so much a traditional novel as a rather special entertainment, with intellectual vaudeville acts now and then stopping the story cold. In the end, the Identity CIub breaks up in unseemly haste when a cop drops in for a look around. The blazing, devilish farce is over, a nightmare so cleverly contrived and keenly written that the reader who looks only...

Author: /time Magazine | Title: Books: Who's Really Who? | 10/17/1955 | See Source »

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