Word: sorrowful
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Dates: during 1960-1969
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...freedom one does have, for it is hard to realize it is there. The noise of the dorm fills up the spaces and presses in on the people living there, sounds, words, commands--the voice of the public consciousness. The constricted space of plural living is a sign or sorrow. Free, open space is needed for the fortuitous and the unforeseen to occur, for the emotionally neutral and the amplitude of life everyone has a right to expect...
...spite of his many good qualities, we must acknowledge that his death is one of the greatest blessings ever bestowed upon this country. He was dangerous, not to be trifled with. To his door can be attributed the cause of more sorrow, misery, and disease than any other single factor in American life. The war only too clearly showed there is no place for him in a serious nation. By cutting out the heart of the cancer, only can the cancer be cured. The necessary operation has been performed...
HAMLET. Some actors merely occupy space; Nicol Williamson rules the stage. His nasal voice has the sting of an adder; his furrowed brow is a topography of inconsolable anguish. His Hamlet is a seismogram of a soul in shock. Here is a Hamlet of spleen and sorrow, of fire and ice, of bantering sensuality, withering sarcasm and soaring intelligence. He cuts through the music of the Shakespearean line to the marrow of its meaning. He spares the perfidious king who killed his father no contempt, but he saves his rage for the unfeeling gods who, in all true tragedy, make...
HAMLET. Some actors merely occupy the stage, but Nicol Williamson rules it. His nasal voice has the sting of an adder; his furrowed brow is a topography of inconsolable anguish. His Hamlet is a seismogram of a soul in shock. It is a Hamlet of spleen and sorrow, of fire and ice, of bantering sensuality, withering sarcasm and soaring intelligence. Williamson cuts through the music of the Shakespearean line to the marrow of its meaning. He spares no contempt for the perfidious king who killed his father, but he saves his rage for the unfeeling gods who, in all true...
...slave, death was a moment of peace, dignity, and freedom which could not be known in life. Sorrow in death was always tempered by a sense of relief. This great boisterous celebration of death could only have sprung from such conditions as black men faced in America. Why it took the particular form it did in 19th-century New Orleans--the jazz funeral--is impossible to answer precisely. Black men found horns and drums and created a great music--a music that would express a powerful, heartfelt message. It was the blues, ragtime, spirituals, marching music dancing music. They lived...