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...merely read through his or her own part,seemingly disregarding the other musicians. Thesecond movement, a Scherzo, was more intriguing,as each repetition of a given part acquired a newcharacter, slightly more gentle, or much moreaggressive. The opening piano chords of thefollowing movement, an exquisitely personal andpainful document of sorrow, did much to establishthe intimacy of the setting and the spectralnature of the sound. But Chase's vibrato uponentering destroyed the perfection of the moment,and the syncopations o the climax were far frommoving. In the Finale, though still not entirelycommitted, the performers paid back some of theemotional deficit which...

Author: By Bernadette A. Meyler, | Title: Not Even A Twist Or Turn | 10/21/1993 | See Source »

...program opened and closed with a prayer and alternated between readings and four spirituals, which Du Bois referred to as "Sorrow Songs...

Author: By Elizabeth M. Angell, | Title: Du Bois Legacy Celebrated | 10/18/1993 | See Source »

...editor Michele Stephenson, they jumped at the opportunity. "Life and Time Warner had already sponsored an exhibit on Somalia, and we felt we should do the same for Bosnia," says Stephenson. "It was a chance to tell the whole story -- all sides and facets." The result is "Faces of Sorrow," a collection of 64 images that document the cruelties and suffering that have befallen Serbs, Croats and Muslims caught in the conflict...

Author: /time Magazine | Title: A Letter From the Publisher | 10/4/1993 | See Source »

...been with us. We think about it every day," says Francis Schroeder Jr., who still has vivid memories of policemen lining the hospital corridor to give blood to his dying uncle. But, says Duncan, "she did not return out of guilt. She's here to answer, not assuage their sorrow." His wife, he adds, has asked if she can get into "some victim-perpetrator reconciliation program...

Author: /time Magazine | Title: The Return of the Fugitive | 9/27/1993 | See Source »

...hits, along with 40 previously unreleased tracks and assorted radio spots. The collection offers evidence of Brian's emotional delicacy and creative resiliency, from the unreleased H.E.L.P. Is on the Way, with its self-mocking references to being overweight ("doughy lumps, stomach pumps, enemas too"), to the soup-deep sorrow of 'Til I Die. It also gives fair play to Carl Wilson's gifts as a writer and lead guitarist, and to the freewheeling lyricism of a third brother, the late Dennis Wilson...

Author: /time Magazine | Title: Riding The Crest Again | 7/19/1993 | See Source »

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