Word: sorrowfully
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...last four films (the only ones even he admits are worth talking about) are explicitly political in subject matter: the Nazification of Germany (Munich 1938); the mass demystification of America in the wake of Cambodia (America Revisited); a French town's response to German occupation (Sorrow and Pity); and the hellish political situation in Northern Ireland (A Sense of Loss). Many people came to see Ophuls looking for a new and bracing political message for our currently apathetic time. It seemed only logical that the man making films about such highly charged issues would have some kind of powerful political...
HILLES LIBRARY CINEMA, The Sorrow and the Pity-Part One, personally presented by the director Marcel Ophuls, Feb. 15, 8, $1. Part...
...Columbia. Joe Smith of Warner had pre-empted the pack by signing Jimi Hendrix before the festival. But the most enterprising of all was Columbia's Clive Davis, who in the wake of the festival signed Janis Joplin; Blood, Sweat and Tears; Santana; and Chicago. To their eventual sorrow, RCA and Capitol were still viewing such affairs?indeed, all of rock?as something of a passing...
Marcel Ophuls, the French filmmaker who created The Sorrow and The Pity and Sense of Loss, arrives in Cambridge Monday for a week-long retrospective of his work sponsored by West European Studies. Seven Ophuls films, including two world premiers, will be screened and discussed afterwards by the director...
...Sorrow and The Pity, a four-hour documentary dealing with the occupation of France during World War II, won Ophuls widespread recognition in this country. Its prelude, never before shown, will be screened on Wednesday under the title "Munich, ou la Paix pour Cent Ans." Meanwhile, Ophuls's latest production, Sense of Loss, about conflict in Northern Ireland, will be showing commercially at the Central Cinema...