Word: sort
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Dates: during 1950-1959
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...taken in its deepest sense, not as a wish to avoid causing pain, but as a constant consideration and valuation of feelings, it contradicts the most sacred critical canons. It is thought to be a sign of the rankest tender-mindedness and most erroneous subjectivity, a barrier to any sort of harsh truth...
College may not be the proper time for this kind of sympathetic attitude; it is the time for scepticism. But scepticism need not be hostile; nor must selfconscious awareness of subjectivity prevent emotional involvement. Nothing would be more absurd than to strive for an artificial warmth or some sort of reinfused provincialism. Kindness and enthusiasm are natural qualities; the problem is to preserve them through college. Harvard offers a challenge to the student to maintain his intellectual intergrity in the face of the fashionable consensus, and to observe, while at college, the standards by which he intends to lead...
...Dress Doctor is crammed with this sort of peep-show item. Some readers may be fascinated to learn that Eva Marie Saint has "a perfectly good figure," that Mitzi Gaynor, in the right kind of "red-spangled straight jacket," exhibits a "rounded female figure, good bosom, tiny waist," or that Hedy Lamarr, though "she's slim, actually," does not allow herself to be padded out. As for Anna Magnani, "When she undressed, we were amazed. Under the black slacks and sweater was the most exquisite of black French foundations." Sophia Loren refuses to wear blue jeans, and Designer Head...
...harried and potty as aldermen. It is also where a man realizes, in dismay, that he is too. Perhaps with the idea of softening the shock, Princeton's class of '49 mailed questionnaires to its 760 members. From 510 anonymous replies, tabulators last week could sketch the sort of old Princetonian who will make the nostalgic trip to Nassau Hall this June: he is plump, prosperous, has most of his hair, is worried about the state of the world, yet comfortably sure of his own place in the sun. Items...
...story, as the film tells it, is a sort of magnolia-strewn Jane Eyre. The hero (Yul Brynner) is a gloomy and passionate young man. The heroine (Joanne Woodward) is his ward, a gay young sprig on a rotten family tree. The Compsons have been drunk for a couple of generations, and have long since sold their birthright for a mess of corn liquor. The only thing left is the peeling old plantation house, and there the last of the Compsons live on the charity of the hero, who has become a Compson by adoption and is determined to redeem...