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...most significant risk in replacing the current bank CEOs is that the new people coming in may or may not be better selections than the people whom they replace. In many quarters this is considered a sort of governance recidivism. But, that does not mean that the argument is entirely flawed. Pandit, Thain and Willumstad did not do any better than their predecessors. As a matter of fact, they probably did much worse. They were given the specific tasks of ferreting out problems in the companies which they were picked to operate and fix them. Each one expressed optimism about...
...took in $14.1 million in its opening weekend. The other new wide release, which will end up sixth overall, was Crank: High Voltage, with B-movie Brit Brillo pad Jason Statham reprising his role from the 2006 Crank as a hit man who'll die if he slows down. Sort of like Speed, only instead of a grimy bus, it's a Limey cuss. Crank 2's haul was a demure $6.5 million...
...Mikucki refers to the subglacial pond as "a unique sort of time capsule from a period in Earth's history," but it also has lessons for scientists studying Mars, an entire planet that is in many ways a time capsule too. Mars, like Antarctica, was once warm and wet, but the slow loss of its atmosphere also meant the loss of much of its moisture and surface heat. Still, the place was warm and wet long enough for life to have taken hold - life that would have then had to retreat into underground water deposits and make the same kind...
...well-funded operation. A few pirates have offered testimony to the international press - a headline in Thursday's Times of London read, "They stole our lobsters: A Somali pirate tells his side of the story" - but Lehr and other Somali experts express their doubts. "Nowadays," Lehr says, "this sort of thing is just a cheap excuse." The legacy of nearly twenty years of inaction and abuse, though, is far more costly...
...opens with Ratatat’s “Wildcat," a sleek and sexy track whose almost predatory feel is only reinforced by the recurring cougar-scream that haunts the piece. Following this prelude is “Seventeen Years,” a sort of Ratatat anthem if you will: with its rhythmic march and searing synth overlay, it conjures images of an army’s worth of cigarette-jean clad hipsters readying for battle...