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...another. So how does he choose which ones to publish or exhibit? "I don't," he says. And he means it. His working method is to take hundreds, even thousands of pictures--though rarely more than one shot of any particular scene--and let his curator or editors sort it out. For "William Eggleston's Guide," John Szarkowski, the legendary MOMA photo curator, effectively served a role like the one that editor Maxwell Perkins played for novelist Thomas Wolfe, drawing a meaningful work out of a superabundant output...
...recent rescue plan to buy back mortgages," says Fred Arnold, president of the California Association of Mortgage Brokers. In Miami, banks can't wait to throw underwater mortgages into the government's pool. Says Zalewski, "I can see the Federal Government giving them a mulligan and allowing them to sort of do a do-over...
...familiar tale. What Dora wants and needs most is reliable electricity and water. Yet Hamad says not a single government official has shown up in Dora while he has worked here. "Our officials only care about themselves," he said, in the sort of resigned phrase that should depress any U.S. leader. "They are only in power for four years so they make as much money as they can and then plan to flee the country. What we need is a dictator...
...their own different ways, today’s independent music seems to be working deliberately in the opposite direction. Indie’s current incarnation—the Pitchfork generation—insists, almost to an iconoclastic extent, on wearing the vestments of that underground lineage as a sort of caricature; on aspiring, not to form in spite of experimentation, but experimentation in spite of form. The parameters and the expectations have become more apparent, but a sense of purpose or identity is startlingly absent.Few albums illustrate this dichotomy, or more precisely, the transitional turmoil that leads to it, more...
...disastrous idea,” when other people voice this opinion, he speaks up in dishonest defense. Luckily he survives the ordeal. His photographer, however, does not. When the protagonist makes it back to the office, there’s no sympathy expressed for his predicament nor any sort of remorse at the death of his co-worker. Rather, in true company-first fashion, his boss bursts out in anger, “Why the hell didn’t you get the film off him first?!” On the other hand, in “The Last...