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...main consistency is that Redmayne grips as much as he repels. You want to grab his chin - Gordy is always in some sort of awkward motion - and hold him still so you can look into those clear, clean eyes of his and figure him out. Prasad directs to this unnerving fluidity; in the first scene in which we get a real sense of Gordy's character, he and Martine are talking in the backseat of the convertible as it whips along the highway and the wind tears the words out of their mouths. It seems Gordy needs the world...
Such a high-profile collaboration was bound to receive a lot of hype, but the duo kept Broken Bells quiet for as long as possible. A cryptic website and stealth-marketing campaign used anagrams and binary code to increase the mystery. And they're touring with the same sort of restraint. Burton and Mercer promise a follow-up album and a full U.S. tour, but only a handful of shows have been scheduled. "There are always so many expectations," says Burton. "We're just trying to make music that we really like...
...course, you need some sort of villain in every movie,” she adds...
...types of films I choose to produce are a little more complex and meaningful, not to make myself sound grandiose or anything. I definitely like to work on films that tell more complex human stories. Usually films that have some sort of social message to them, nothing overtly propaganda, but talking about the real human condition...
...wouldn’t want adults to be interfering with the candid nature of the advice, but would want there to be some sort of responsible entity keeping an eye on things,” she said...