Word: sortil
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Dates: during 1980-1989
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...Satie's Parade; the paintings of Dufy and Matisse for the imaginary seaside town of Zanzibar in Poulenc's Les Mamelles de Tirésias; Matisse again for the blazing and mysterious red-and-blue moonlit garden in Ravel's L 'Enfant et les Sortilèges; Chinese vase painting for Stravinsky's Le Rossignol...
...season shortened by labor disputes. It was a trio of French works, with the umbrella title of Parade. The idea of presenting Satie's slight ballet Parade, Poulenc's absurdist opera buffa Les Mamelles de Tirésias and Ravel's L'Enfant et les Sortilèges came from Met Production Adviser John Dexter. The common theme was not World War I (though with effort all the pieces can be connected to it) but the devices of British Artist David Hockney, 43, who presided over the visual aspects of the show. Hockney, noted...
...masterpiece on this bill, an exquisitely orchestrated work full of both lyricism and humor, is L 'Enfant et les Sortilèges (literally The Child and the Sorceries). Colette wrote the libretto, a serenely wise fantasy about a child's guilt after a temper tantrum. When L'Enfant was first produced in 1925, George Balanchine, then 21, provided the incidental choreography. But noble lineage does not burden this opera in the way that it does Satie's Parade, probably because it offers ample possibilities for different interpretations. The little boy (played by Mezzo-Soprano Hilda Harris...
What's this? Big Bird doing Firebird, or perhaps Swan Lake? No, nothing that featherbrained. But Choreographer George Balanchine, 76, is planning to cast Muppets in a production of L'Enfant et les Sortilèges to be seen on public television next spring. Muppet Designer Kermit Love, who is creating the dancing puppets, invited the choreographer to the Sesame Street set to watch Muppetry in action...
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