Word: sorting
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Dates: during 1960-1969
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...What size school-house?" Following a lively discussion of school costs, American Banker George Murphy finally broke the impasse by suggesting, to Bhumibol's apparent satisfaction, that the group's gift be 500,000 baht ($25,000), which the Thais could apply toward school construction of any sort they wished...
...Chicago Sun-Times circled warily, citing Roth's "generous use of the saltier nicknames for our reproductive organs and their congress with one another." In the New Republic, Critic Anatole Broyard tried arch humor, calling the book "a sort of Moby Dick of masturbation." Many newspapers and magazines fell back on tradition, using initials and dashes for familiar obscenities. Considering its usual soberness, the New York Times Book Review surprised its readers by permitting its reviewer to repeat verbatim some of Portnoy's sex-obsessed plaints...
Javelin Catcher. The Laugh-In producers put together a whole hour of such material, a sort of all-black Laugh-In called Soul, which NBC ran as a special earlier this season. In a typical bit, Redd Foxx told Slappy White of the first Negro athletic-scholarship winner at the University of Mississippi -"He's a javelin catcher." White observed that Oct. 27 is a Negro holiday - "That's the day when the new Cadillacs come out." In one sight gag, George Kirby stretched out on a beach mat, opened a bottle of suntan oil and slathered...
...increase his fee to $22 per assignment. He later worked on network-wide documentaries and panel shows in London and spent a year as a CBS correspondent. His credits include a film report from Albania and an uneven essay on the "vulgarity" of Texas. In a preview of the sort of sharp commentary he delivered last week, he described Texas as "a land without style, a confused and chaotic society" obsessed with guns. Now he is also managing director of three suburban London weeklies acquired by his father...
...genius of de Antonio is that he realizes that we see the actual War as a sort of documentary film. The same tensions between involvement and detachment that we experience looking at a film we also experience "looking" at the war or, for that matter, any contemporary historical event...