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...heard Dean Smith’s speech from every dean since 1970,” Gomes said. “It’s sort of a ritual...

Author: By Noah S. Rayman and Elyssa A. L. Spitzer, CRIMSON STAFF WRITERS | Title: FAS Dean Takes a Professorial Role at Faculty Meeting, Armed With Slideshow | 2/3/2010 | See Source »

...felt pretty incredible,” Ryabkina said. “I was just sort of taking the opportunities [that] presented themselves. I know that I can do those things in practice, so I just did them in the game...

Author: By Kate Leist, CRIMSON STAFF WRITER | Title: Ryabkina Propels Harvard's Attack | 2/3/2010 | See Source »

...ultimate irony of “Sherlock Holmes” is that it is every sort of movie except a mystery. Guy Ritchie’s adaptation of the adventures of the sleuth of Baker Street is by turns a thriller, an action movie, and a comedy—and in each of these, it succeeds. But a truly great film would take its cue from what made Sir Arthur Conan Doyle’s series so great—the mind-bending experience of witnessing Sherlock Holmes rewrite the story the audience thought they understood into an entirely...

Author: By Yair Rosenberg, CRIMSON STAFF WRITER | Title: Sherlock Holmes | 2/2/2010 | See Source »

...midst of the city’s political anxiety, Tassie seems to be a magical heartlander, a sort of cornfed mystic who bemusedly observes her employers’ frantic railing against racism, fate, and Karl Rove. Her dialogue is laconic, but her inner monologue is full of surprisingly acute observations. Moore gives Tassie an interest in the unsavory and a preoccupation with Sufism, extending Tassie’s savant-like eccentricities to ridiculous levels. Just when her confusion at the hypocrisies of people around her begins to cross the line between clever and insufferable, she?...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: Meditations Of a Midwesterner | 2/2/2010 | See Source »

...artist’s past success have been pop grooves that were radio-ready, like “Lollipop”, and aggressive, brash songs you could still bounce your head to and enjoy, such as his first major hit, “Go DJ.” The sort of fun and confidence that were needed to produce these big hits runs contrary to the seriousness of the major theme of “Rebirth”—success in all its forms and the problems and re-evaluations that result from it. Worse, the narrative that...

Author: By Alexander E. Traub, CRIMSON STAFF WRITER | Title: Lil’ Wayne | 2/2/2010 | See Source »

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