Word: soul
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Dates: during 1930-1939
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...essential note in Spoon River was one of protest, of radical nationalism, of bitter resentment that U. S. poets and artists were so consistently abused and neglected by the country at large. In subsequent volumes Masters' poems, characterized by long speculations on vague concepts of life, nature, the soul, contrasted oddly with the concise, concrete images of recognizable human fates that had been the distinction of Spoon River...
...student's thoughts was trying to pin a definition on said Natural Man. So Sairey Gamp, if we may make so bold, would ask each gentle youth in turn his opinion of the phenomenon in question. One lad said, "The Natural Man is a primeval creature without a soul." Another ventured, "The Natural Man is the superb laughty fellow who satisfies all his desires and passions, admitting no restraint or scruple...
...year later he came back from a Florida law office, reorganized the orchestra, and began to use a melody called Stardust as his signature song. That song was published; and Hoagy left the orchestra to spend all of his time working out the tunes that troubled his sad soul. You know them: Georgia on My Mind, One Morning in May, Moon Country, Snowball, and many other mournful plaints that made music publishers glad. His last song was Judy. Hoagy has many more lachrymose reflections on romance and the Southland which he saw so briefly as a barrister in Florida...
...Vagabond--being the sensitive soul that he is--has sickened of depressions.... nations in distress.... political speeches.... Italian forces (and barbers)--English diplomacy.... and even Haile Selassie's umbrella. His frail mind cannot encompass the full significance of one event before another is cried aloud in the market place. Today, therefore, he resorts to that old escape--one frowned upon by maladjusted psychologists--to barken to those gentle soul who "tell tales of little meaning, though the words are strong." As the world is thrusting itself forward to a dismal future the Vagabond is thrusting himself back upon an epic...
...music, for the libretto is but a direct translation of Heyword's familiar dramatic success. It is impossible, however, especially after a single hearing, to consider the score as an entity apart. Profoundly inspired by the rich drama of "Porgy", Gershwin has blended his music so utterly into the soul of the play that it combines with the stage actions to produce a single, deeply stirring impression...