Word: soule
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Dates: during 1960-1969
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...destiny." Soon Georgakakis had his choice of several good positions. U.S.-educated Professor Adam Pepelasis, deputy governor of the Agrarian Bank of Greece, told TIME Reporter Mario Modiano: "I read your story and I felt a feeling of shame. It showed how a blind man can look inside his soul and discover the meaning of life-truth...
...lawyer-lieutenant (Michael Lipton) chosen to defend Hamp is aloof, yet earnest, and thoroughly determined to help him. But Hamp (Robert Salvio) is hard to help precisely because he is a simple soul of truth, a pebble of innocence without a tongue-wag of self-protective deviousness in his nature. He ran away, he tells his lawyer and the court, because one day the mud-and-blood bath of battle got to be too much for him. He doesn't have the foggiest idea if he ever intended coming back to his outfit. All he knows is that...
...called upon to create that society-to create on this continent the first modern technological, prosperous, humane and reverent civilization. We must see ourselves as pilgrims setting out now to overcome not wintry seas and forests and deserts; but far more dreadful enemies-doubt and cynicism and emptiness of soul and meaninglessness." January...
Stravinsky called the 93-minute Sol at "musical theater without singing." With narration, dialogue, mime and a charming score* that prances through tangos, jazz waltzes and chorales, it tells the parable of a soldier who encounters the Devil and sells him his fiddle (his soul) in exchange for the secret to the world's treasures. When wealth brings him misery, the soldier regains his fiddle but loses his soul once more by violating the Devil's condition that he never return to his homeland...
...PROKOFIEV: QUINTET, OPUS 39 (Melodiya-Angel). Written at the end of World War I, Histoire is a clever little musical outrage featuring a demented tango, ragtime gone wrong, a satanic mockery of a Bach chorale, and countless other musical japes in the story of a soldier who sells his soul to the Devil, wins it back and finally loses it again. The Prokofiev is also dramatic, originally composed for a ballet about a circus. The Moscow Chamber Ensemble, led by Gennedy Rozhdestvensky, has just the right touch for both: cool, brusque, almost offhandish virtuosity...