Word: soule
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
...Soul on Ice, Cleaver...
...since slavery days has been based on the hope of salvation in the hereafter, into a faith more relevant to his present social and economic concerns. This ideal was supported by Ron Karenga, Los Angeles leader of the black nationalist US, who accused churches of foisting "spookism" on his soul brothers. "Spookism," he explained acidly, "means believing you're going to fly away without the necessary means of transportation...
...hypocrisy of the boiled rabbits. . .of the left intelligentsia." The real problem of the West, as he saw it, was to preserve mankind's ethical values- honor, mercy, justice, respect for others -in the face of an almost universal disappearance of a belief in the immortality of the soul. Being naturally a good man, he was a good humanist, but being a logical man, he saw that others were not. When people ceased to be Christians they did not necessarily become good humanists but superstitious fanatics and political madmen...
...control. For very different reasons, Humphrey's battle for survival also was a fascinating study. Chronically late, incorrigibly loquacious, hopelessly disorganized, the Vice President had seemed to everyone but himself to be a walking case of rigor mortis until the final stretch, when suddenly, somehow, the impassioned humanitarian soul of Humphrey began to flare through the servitor's mask he had worn for four years under Johnson...
There is also a deadly spectator who helps kill drama. He is the theatergoer whose only conception of good theater is that it be nice, decent, reassuring and uplifting, but never marrow-chilling or soul-devouring. Playwrights themselves propagate dead plays, since most of them cannot fulfill the single most demanding requisite of vital drama: "A playwright is required by the very nature of drama to enter into the spirit of opposing characters. He is not a judge; he is a creator. The job of shifting oneself totally from one character to another-a principle on which all of Shakespeare...