Word: soule
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Dates: during 1970-1979
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...fact, I cannot bring myself to hate anybody, as I am by nature committed to love. This became quite clear to me through suffering and pain, in Cell 54. Suffering crystallizes a soul's intrinsic strength; for it is through suffering that a man of mettle can come into his own, and fathom his own depths. It was through suffering that I discovered how I was by nature inclined to do good, that love was the real motive behind my actions. Without love I really could not work at all. Love provided me with faith, full confidence in myself...
...tattered pride. In fact, my whole array of virtues was intact; only the man behind them was missing. I didn't really give a damn anymore whether I was English or American, but the U.S. was still the prairie of record, the place where the garbled soul of Chatworth could re-create itself. Or failing that, become famous...
...surefire confessional books are about to appear. In Soul on Fire (Word), out in February, ex-Black Panther Eldridge Cleaver testifies that after years spent as a prisoner of Marxism and hate, he finally found peace when he saw the face of Jesus in the full moon over Cannes. Cleaver was later converted by a prison "God squad." In Will You Die for Me? (Revell), due in April, Charles ("Tex") Watson, leader of the vicious Tate-LaBianca murders, tells how he supplanted Charles Manson with Jesus Christ. Watson, a mandatory lifer, now preaches three times a month and teaches...
...writing was distinguished by narrative drive, a gritty attention to the details of combat and a plain-spoken sympathy for the men who suffered and triumphed on the front lines. He could not agree with people, he said, who thought that "war is a game in which the soul of man no longer counts...
...King-to-be with a blind, unswerving faith? Shaw is of no particular help. He has various characters say at various times: "There's something about the girl." All the rest is left to the actress who plays Joan. She must give the play a luminous soul. In the disastrous revival at Manhattan's Circle in the Square Theater, Lynn Redgrave proves woefully incapable of that. She has the inspiring warmth of an undraped mannequin in a store window. Her metallic high-pitched voice seems to issue from some implanted accordion, and her stance and gestures suggest those...