Search Details

Word: soule (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

Rubin Carter explains on the first page of his autobiography, The Sixteenth Round, that his name, Hurricane, "provides an accurate description of the destructive forces that rage within my soul." The book as a whole reveals a man with a frightening potential for violence and vengeance--Judge Larner and the all-white jury that convicted him must hope in the interest of their own physical safety that Hurricane be kept behind bars. No mediating agent stands between Hurricane's sense of injustice and the outside world. When as a boy a white drunk tried to rape a member...

Author: By Seth Kaplan, | Title: To the Valley Below | 2/2/1976 | See Source »

Seven Beauties is a knockabout mockery of a cherished notion: that just to go on drawing breath is worth any sacrifice, a goal beyond any scruple. This is certainly an idea to which Pasqualino Frafuso clings with all the fervor in his Neapolitan soul. Nicknamed "Seven Beauties," in ironic allusion to his seven lumpish sisters, Pasqualino struts and flirts for all the women in Naples and looks for "respect" from the local...

Author: /time Magazine | Title: Cinema: Charnel Knowledge | 1/26/1976 | See Source »

...experience with the church is that the people in charge are more Christ-like," Larry Dewey '73, a first-year medical student, says. "The man in authority works more hours, loves more and serves more people. The idea of [taking on the job of] branch presidency just makes my soul quiver with fright...

Author: By Charles E. Shepard, | Title: Doubters in the Temple | 1/23/1976 | See Source »

...Lady Morrell sought intensity--through mysticism in her youth and old age, and, in between, through a network of relationships with brilliant artists. Unable to find a satisfactory outlet for her own creative energy, she compensated for her failure by living vicariously what she called their "experiences of the soul...

Author: By Gay Seidman, | Title: A Moth and Her Flames | 1/22/1976 | See Source »

Although they themselves may not have realized it, for many Italians Pasolini was a living symbol. He represented the darker side of an Italian psyche, the nightmare of the Italian middle-class. (As, say, Frankenstein was the dark side of the Romantic soul. And Pasolini was among the last Romantics.) Acting as Italy's walking conscience, Pasolini not only pointed an accusing finger at all the economic, political, aesthetic and emotional problems of the society, but internalized them, making them his own neuroses. A sensitive, intelligent individual, he could not accept the easy solutions: to be a member...

Author: By Eleni Constantine, | Title: A Roman Crime of Passion | 1/22/1976 | See Source »

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