Word: soule
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Dates: during 1980-1989
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...wrap party" to celebrate the film's completion. Mike cannot bear the prospect of losing Anna. Where can she be? She is in the room where the final period sequence was shot, examining herself in one of Sarah's mirrors. But Anna engages in no searching of soul or image-just a glance and a primp and she's off. Mike reaches the room as the car motor's rev signals Anna's departure. He calls out for her: "Sarah!" It is too late. Mike, the modern man, has lost his French lieutenant...
...clowns pratfall and dancers soar. At one time or another, the sounds of jazz, Mozart, marching bands, rock, Rodgers, Bach, bagpipes and bouzouki fill the air. The air is filled, too, with the fragrances of fresh-baked bread, cheeses, chocolate, roasting coffee beans, crepes, French fries, fruit, sausage, seafood, soul food, souvlaki, spices and herbs...
...Well, I suppose she combs yours now." William Howard Taft's advisers desperately tried to hide his poor memory for names and faces. It did not work. Approached by a voter at one rally, Taft blurted out: "They tell me I ought to remember you, but bless my soul, I cannot recall...
...majesty of the royal wedding was abundant in its ritual splendors, but its soul was all in the small things...
...hair and widen her eyes to be transformed from a bustling peas ant into a feeble dotard, nodding off after lunch. Glenda Jackson has specialized in self-absorbed eccentrics, but, as Stevie, she makes the familiar lilts and snappings sound new. Through the subtlest shadings of this fiercely independent soul, Jackson gradually recedes from the viewer's awareness, and the gentle Stevie takes over. The film's movement toward American release has been even more gradual; it was made in 1978. Now Stevie is here, not drowning but sailing with two splendid characters and performers...