Word: soulful
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Dates: during 1930-1939
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Vincent Lopez, solemn, rotund dance-band maestro, has always been the soul of patriotism. For years he began or ended each night-club dance program with The Star-Spangled Banner, inviting his starched & spangled customers to clear their throats and sing. Nobody knew the words, and only a few sang; it usually sounded terrible. Finally, sensitive night-club owners asked him not to play it any more...
...Dybbuk (Ludwig Prywes). In Yiddish folklore, a dybbuk (pronounced dee-book) is a disembodied soul, denied peace in after life because of some earthly transgression, seeking refuge in the body of one it has loved. Twenty years ago, the late Playwright Solomon Rappaport, writing as S. Ansky, wove the myth of the dybbuk into a Jewish folk play. The Dybbuk has since become the most famous item in Yiddish drama, even more widely known than The Golem (TIME, March 29). Every major city in the world has seen it staged; it has been translated into 17 tongues, including Esperanto. Rappaport...
...tedious, technically crude, lacking in coherence. Here and there are pictorial groupings, interesting enough in themselves, but poorly related in the general clutter of hyper-religious abracadabra and the familiar hocus-pocus of third-rate melodrama. The mere mention of Kabala brings on thunder-and-lightning overtones; a departing soul is the signal for banging casements, flickering candles, fluttering curtains. Valiantly pushing its way through is a slender story of a boy (L. Libgold) and a girl (Lili Liliana) promised to each other at birth, driven to desperation when they are parted. The boy invokes Satan and goes to destruction...
...days ailing of influenza, and for the first time learned some-thing that all the rest of his diocese knew. Very Rev. Israel Harding Noe, dean of St. Mary's Cathedral in Memphis, was entering the third week of a fast which he hoped would prove that "the soul is above the need of material life" (TIME...
...girl lovers, doesn't know whether he approves of marriage or not, but in the last act the events and he become quite philosophical, and he comes forth with some decided views on death. He takes for granted a universal belief in the immortality of the soul, and then he explains that a dozen people, sitting very stiffly in chairs on the stage, are dead people in their graven, waiting for the earthly parts of themselves to pass away, and for the great metamorphosis into their eternal forms to overtake them. When the lovely heroine leaves her funeral and joins...