Word: soulfully
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Dates: during 1990-1999
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...both random and diverse, including pieces such as the extremely slow and dangerously sexy "Be Careful" by R. Kelly and upbeat yet sensuous "It's All About Me" by MYA, a dancer turned singer starlet. Also included are Janet Jackson's "I Get Lonely" and Queen of Hip Hop Soul, Mary J. Blige's "I Can Love You." The album ends with a trio of ballads including SWV's "Rain," Boyz II Men's "A Song for Mama," and Xscape's "The Arms of the One Who Loves You," whose soothing rhythmic flow shadows its clichd lyrics. Despite songs such...
...What he Wanna Do" and "Steam Train," Fields has put together an album full of some great funk grunts, groans, squeals and moans that will, at the very least, make you smile. The album has been described as "a raw-ass piece of funky-soul served straight-up on a platter of nasty-nasty." And as Fields himself puts it, "Who needs dust/when you got soul...
There are basically three catalysts for Josie's rise from the tortured pubescent soul of "Josie Grosie" to a beautiful, confident young woman. First is a writing assignment to go undercover at a local high school to get the scoop on the latest adolescent trends and scandals. This gives Josie the opportunity to regress into the same type of cruelly divisive social organization that dominated her own high school experience, get another chance at popularity and reclaims the self-esteem that was extinguished just a few years earlier...
...everywhere, her future as a murderer appears bleak. "I thought about [becoming an assassin professionally]. But I just switched concentrations, so I don't have the time," she complains. So next year will be Hepps' final chance to prove her knack for going in for the kill. Pity the soul that gets in her way. "Anybody who plays Hillel next year better watch out," she says. "I don't get killed...
...lost love is a self-destructive genius. Her new husband is a fussbudget academic. Caught between them, Annette Bening's tragic heroine suffers a kind of influenza of the soul--fevers and chills alternating while she tries to maintain her politesse in provincial society. This is risky work for a movie star, but Bening's understated tension is admirable, and so is Jon Robin Baitz's new adaptation, touching Ibsen's glum dramaturgy with rueful Chekovian absurdity. Daniel Sullivan's brisk production, running through mid-April at Los Angeles' Geffen Playhouse, is full of lively performances bobbing eccentrically along...