Word: soulfulness
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Dates: during 1960-1969
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...President was the soul of middle America when he greeted the astronauts. Peering through the glass window of the quarantine van, he cried: "Gee, you look great!" He inquired whether they knew the results of the All-Star game. He chatted on and on, with somewhat feeble witticisms about asking the astronauts' wives for a date (coyly revealing that he really meant a state dinner). While there was a certain unpretentious charm to it all, it was also an awkward performance, and its triviality was strongly at odds with the solemnity of what had been accomplished. To describe...
...slow movements and thew allegros more closely resembed each other in speed. In dynamics, Bach conceived of his works as built of solid, steady blocks of sound. Madame Carmirelli constantly shifted from pianist to forte and from slow to fast. It is true Bach wrote the sonatas as little "soul-states" as Schweitzer says, but he writes with polyphone rather than her extremes of performance...
SALZBURG (July 26-Aug. 30) will not disappoint those who like the tried and true, though there will also be productions of some rarely heard operas. Emilio de' Cavalieri's The Representation of Body and Soul (1600), Giovanni Battista Pergolesi's La Serva Padrona (1733), and Mozart's Bastien und Bastienne spell Von Karajan's controversial production of Don Giovanni, and Beethoven's Fidelio under Karl Böhm's baton. The classics-heavy on Mozart, of course-will be given their due by the Vienna Philharmonic...
...Brubaker has already paid for everything--with huge chunks of his soul and his precious time. So when Catherine (her name is Gunther instead of Deneuve, she is Brubaker's boss's wife--a fact which eludes him through most of the film, and her life is similarly desolate and sterile) comes to his attention at Gunther's party (yes, this film begins with one too) and he says, "Name's Brubaker. Buy you a drink?" It's a masterstroke of justice that she replies, "I'll get my things...
...Tight (TIME, Jan. 3) was based on The Informer; The Lost Man is a darkened copy of Odd Man Out. The transatlantic temptation is all too understandable, for as a French revolutionist observed, "The poor are the Negroes of Europe." Nonetheless, the Irish fiction grew from a native soul and soil. The Lost Man is a legitimate and anguished cry that suffers in translation...