Word: soulfulness
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Dates: during 1990-1999
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Imperceptibly morbid and achingly sorrowful, "In Spain, One Thousand and Three," the tale of a widower lusting after his dead wife's mother, is a story that gnaws at the open wound of the human soul that has lost its mate. The Seattle winds could hardly drown Martin Tuttleman's intense longing for companionship, whilst his profession (customer serviceperson in a video game company) involves precocious adolescents whose pretended social savvy aggravate him further by reminding him of what he no longer possessed...
Only connect.... These narratives plead their cause to the human ear, asking it to remind the soul of its need to connect. Metaphorical entities themselves, the stories are also intertwined in their single-threaded loneliness, voicing the message that Byers obviously wants to give...
...short story leaves it to the reader to grasp the threads of fiction after his or her own fashion. One can barely tell when the tale spins from the story of the scientist to that of the assistant director and his cast A febrile reiteration of the word "soul mate" in myriad forms ("sole mate") reminds us of the pitch of Byers' anecdotes and how seriously he takes himself. An intriguing and feverish last passage asks agitatedly, "Where is your soul? Is it here?" as if prodding a criminal into revealing his hidey-hole. It's almost...
...virtue of people who do not believe in anything. Chesterton meant that as a critique of tolerance. But it captures nicely the upside of unbelief: where religion is trivialized, one is unlikely to find persecution. When it is believed that on your religion hangs the fate of your immortal soul, the Inquisition follows easily; when it is believed that religion is a breezy consumer preference, religious tolerance flourishes easily. After all, we don't persecute people for their taste in cars. Why for their taste in gods...
...admit this: Bart has a riven soul. He needs to be loved ("Tell me I'm good!" he pleads of his friend Milhouse's mom). But do hold the pathos. The reason for his appeal is that he's so brilliant at being bad; his pranks have a showman's panache. When he drives off in what is touted as Hitler's car, he chortles, "It's Fuhrer-ific!" After impishly filling Groundskeeper Willie's shack with creamed corn, he listens to Willie curse, "You did it, Bart Simpson!" and murmurs, with practiced modesty, "The man knows quality work...