Word: soullessness
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...cops and creeps. It has a promising premise, a Most Dangerous Game gloss about a gang that arranges manhunts for macho millionaires, but nobody has much of a character. The loner hero (Van Damme), the woman in peril (Yancy Butler), the CEO-type villain (Lance Henriksen) and his soulless henchman (Arnold Vosloo) -- the roles are little more than job descriptions. Martial artist Van Damme gets to punch out a rattlesnake and follow this moral code: I shoot you three times, then I kick-box your ugly face...
...completed sometime later in the decade. This new stadium is already being billed as another Camden Yards, the year old Baltimore Orioles park which was widely praised by fans with short memories for being just like an old-style ballpark. In reality, Coors will turn out like Camden--a soulless, state-of-the-art ballpark which serve not only to rob the city treasury but also the popular memory...
...play, a loose re-interpretation of the novel Les Liasons Dangereuses, toys with notions of gender and desire in a series of icily barbed dialogues. Running approximately an hour in itself, the play is carefully prefaced by a series of Muller fragments, apparently intended to augment the spectacle of soulless debauchery. Unfortunately, these fog-embellished effects are symptomatic of a trendily shallow sensibility which comes uncomfortably close to tipping tight drama over into dull farce. As we were informed that the action took place in a post-World War Three bomb shelter, I felt my strongest emotion of the evening...
...estranged daughter but did not dare speak to her and dismissed his screen heroism as fakery until he thrillingly discovered that it, like all art, came from deep within. The barren Broadway musical of MY FAVORITE YEAR, which opened last week, turns O'Toole's holy hellion into a soulless self-pitier (a deft if charmless Tim Curry) and wrongly presumes that the film's appeal was its setting amid a '50s TV variety show -- a format joylessly re-created. For the movie's fans, this is a sad waste; for others, a crashing bore...
...about it. It imposes upon America a strange simultaneity, if not a unity. It makes for a coast-to-coast viewers' version of what Kurt Vonnegut Jr. called a granfalloon, a wholly artificial brotherhood. TV characters themselves, whatever good lines their writers give them, almost inevitably have the flat soulless quality of people dropped on earth and hatched from a pod. Maybe it's the electron dust on the screen...