Word: sound
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Dates: during 1920-1929
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...fathomless deep-sea canisters, colors fainted, burned, swelled, darkened, dwindled, incredibly clear; patterns crossed, shapes passed, cubes collided, vortices spun down through hell, sucking the sight with them, and the earth, like a small ball knitted by music out of cloud and fire, whirled voiceless through the gulf where sound and color merge. Amazed were the listeners, for surely those in the dark hall listened with their eyes. When an enthusiastic dolt began to clap, they hissed him down as if he had interrupted the first movement of a sonata. But at the concert's end they, too, clapped...
Suddenly, a discordant sound impinged upon the Secretary's calm. In the House of Representatives, a member (Britten of Illinois) was rising to present a resolution calling for a conference of the "white nations bordering upon the Pacific" for unity of action against the aggression of Japan. To be sure, the House did not take the matter seriously; and several members condemned the proposition; but words once uttered go to the echo and come back. The Secretary was perturbed, beneath his calm, at the thought of that echo in Japan. He determined on a friendly action without delay...
Georg Tchitcherin, Bolshevik Commissar of Foreign Affairs, went to his office, strutted and fretted, took him a pen and wrote big words full of sound and fury, signifying little...
...milling town on Commencement Bay was named Tacoma. In 1873, the Northern Pacific Railway located its western terminus on Puget Sound and called the place New Tacoma. In 1883, the Northern Pacific Railway announced that on its maps and guide books "the Indian name" Tacoma would supplant Mount Rainier. A powerful director of the railroad, who was President of the Tacoma Land Company, booming the new town, saw to the changing of the name...
...Toti dal Monte, Venetian soprano, made her debut. Because of the liberal praise accorded her when, with the Chicago Opera Company, she made her first U. S. appearance a month ago, critics regarded her interestedly. As Lucia di Lammermoor, ever-distressed lady who goes mad in her attempt to sound like a flute, Mme. Dal Monte cadenzaed, bravuraed, languished, trilled, palpitated. Her hands were expressive, her figure squat, her voice limpid. Loud, long was the applause. "Cordial," the critics termed it, reserving their other adjective, "unprecedented," for dead debuts, for debuts to come...