Word: sound
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Dates: during 1960-1969
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...before long the black-tied and begowned guests, who could hardly sit still for the fast rhythm, pushed back their gilt chairs and began dancing. The floor did not empty until 2:15 a.m. Ellington had set the pace himself in one of his songs: "Praise God with the sound of the trumpet./Praise God with the psaltery and harp/And dance, dance, dance, dance, dance...
...acts, including Missouri's Democratic Senator Stuart Symington and his guitar-strumming Congressman son James and Senate Republican Leader Everett Dirksen and his son-in-law, Republican Senator Howard Baker of Tennessee. Goldwater and Son promises to be the most cohesive of the family firms in politics. "We sound alike, and basically we think alike," said the new Congressman. "Maybe we shouldn't be so much alike. But we just...
Georges Jean Raymond Pompidou seemed born for that assignment. He was the son of country school teachers in the poor Auvergne town of Montboudif, a name, like his own, that used to evoke howls of laughter from school friends because of its sound. To "Pompon," as the French affectionately call him, it has proved no liability. Indeed, he can turn on the peasant touch at the whiff of a Gauloise, and uses it to great effectiveness campaigning. Pompidou blazed through his studies, graduating first in his class from the prestigious École Normale Supérieure in 1934. While his classmates...
...says that.the beast is a pillar; another feels the tuft of its tail and declares the elephant to be a broom, and so on. Depending on which tracks of the record listeners happen to touch upon, the recording group-which is also called Blood, Sweat & Tears-sounds like many different bands. In Smiling Phases, it is a hard-chugging blues-rock outfit with a fillip of modern jazz. In Blues-Part II, it is a modern jazz combo with a streak of contemporary classical dissonance. In Variations on a Theme by Erik Satie, it is a chamber ensemble with pastoral...
...West Coast. Five of the nine members (ages: 21 to 26) are native New Yorkers, and all nine, Katz points out, "have spent some time playing in bands around town or scuffling in Greenwich Village." The pace and aggression of the city flash through their tensile, hard-edged sound. With its five-man horn section, the group is also the most successful attempt yet to combine jazz-flavored brass and reeds with rock guitar and rhythm. The musicianship displayed in its complex arrangements and lithe, leaping solos is second to none in the rock world. In an era when more...