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Word: sound (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...English blues groups, is built around two Mayall proteges and the influence of the master shows very clearly. Peter Green on lead guitar plays an authoritative and firm role with his sinuous guitar lines, insistently and sympathetically guiding the group to put out the refined and fluid sound that is so typically Mayallian. The other presence is that of John MacVie (also ex-Bluesbreaker) who contributes a strong and uncluttered and incredibly well-felt blues-bass throughout. This kind of restrained and delicate watered-down imitation of the Chicago sound is a valid method of interpreting the blues classics...

Author: By Salahuddin I. Imam, | Title: The Miami Pop Festival: Silver Linings Galore in the Faint Cloud Over Rock | 1/22/1969 | See Source »

...full treatment--toying with it pretentiously for about thirteen minutes, padding it with irrelevant organ solos and guitar solos and the mandatory drum solo (with extensive use of the bass drum yet!). This music is very different from, and inferior to, the concentrated, strictly organized, but striking sound of early black rock and roll of the Chuck Berry-Fats Domino-Little Richard variety--a sound which had its greatest impact among the swaggering, brash young British proletariat. When the white working classes in America finally shake off their acquiescence and become rebels against society I will expect to hear them...

Author: By Salahuddin I. Imam, | Title: The Miami Pop Festival: Silver Linings Galore in the Faint Cloud Over Rock | 1/22/1969 | See Source »

...that we should exaggerate the chances of vigorous rock and roll being submerged under the pseudo-heavy "sound" music of the more pretentious West Coast groups -- the Miami Pop Festival had enough talent on display to keep one's fears tiny. Country Joe and the Fish, say, who came on unprepossessing but grow in stature as they assert their calm and confident rapport with the audience all building up to that staggering moment when they launch into "Fixing to Die"--in such a way does rock and roll gell musical and spiritual elements to produce instants of screaming intensity...

Author: By Salahuddin I. Imam, | Title: The Miami Pop Festival: Silver Linings Galore in the Faint Cloud Over Rock | 1/22/1969 | See Source »

...then there was Canned Heat who elicit the same hushed and tense quiet from the audience that Havens does, but by beating it into submission as if through the brute impact of a natural force, sound system bursting, the drums hammering out the rigid boogie beat, guitars searing loud, and climactic. If Havens sends spiny threads to each individual listener pulling them close to him, Canned Heat throws out a broad blanket of all-enveloping sound to huddle under...

Author: By Salahuddin I. Imam, | Title: The Miami Pop Festival: Silver Linings Galore in the Faint Cloud Over Rock | 1/22/1969 | See Source »

...What we are dealing with here is a problem of perception. Humans are equipped with an eye that perceives a very limited part of the electromagnetic spectrum, an ear that only perceive relatively low frequencies of vibrations, and a vocal apparatus that can only produce one sound at a time. We hardly know to what extent our knowledge is controlled by the physical nature of our bodies. Indeed the physical world as we understand it is merely a summation of what we perceive. What a man perceives is not what is there. His conceptualization of the world is not what...

Author: By Michael Cohen, | Title: The Who: It's Very Cinematic, You Know | 1/22/1969 | See Source »

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