Word: sound
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Dates: during 1980-1989
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...decade ago, such a surge of rhythm could only have been achieved with complex, pricey and cumbersome equipment. Today any garage band can sound as big and as studio-slick as Fleetwood Mac, if only the young musicians stick with it. "People get these keyboards at home and use them for a while, then put them in a closet," Flores frets. "With 15 minutes of practice daily, you can learn to play any instrument. You cannot get away from education." Parents who want the family prodigy to put in more than 15 minutes on the upright are concerned that serious...
...been teaching piano for nearly 30 years. "Kids who didn't take lessons because they didn't have pianos are signing up to work on the keyboard." The instrument has amassed all the pop impact of the electric guitar. "Everyone who presses a key can get a sound," says the jazz-based singer-songwriter Patrice Rushen. "But combining those sounds, to really use the keyboard as an instrument, that's when the talent comes...
...music lessons. Ben Margolis, 11, of West Los Angeles, has a Roland D-20 that he can mess around with when he's finished his piano lessons. "Nothing can replace the real instrument," he says, "but if you're trying to do sound effects or you don't know how to play another instrument, it's great." But Margolis already has it all in perspective. "The piano is the more beautiful instrument," he says. "But the keyboard is the more interesting...
...show's opening number, Ya Got Me from On the Town, called for an all-star reunion. Four of the five leads in the original -- Comden, Adolph Green, Nancy Walker and Cris Alexander -- spent a day piecing together photos, props, the sound track and their memories. "Jerry put us into certain positions," Comden says, "and we remembered the best we could, from our ancestral bodies or our unconscious. And then, of course, Jerry created more. We didn't want it to stop. Jerry stayed to keep working, and the four of us wandered into the street, clinging, clinging to whatever...
Robbins is a hard man to please; this is one notoriously imperious impresario. "When I work on a show," he says, "I'm a wasp. You know how a wasp buzzes around and keeps you on your toes and worries about everything. There's a sound in the air that keeps everything moving." At times the buzz becomes a sonic boom. "Jerry was still rehearsing during previews," says Victor Castelli, a City Ballet soloist who is assisting Robbins. "The kids are exhausted because they are not used to it, and Jerry will be frustrated and annoyed and will yell...