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Word: sound (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...Sound like one of those hippie communes that disappeared along with bellbottoms and VW Bugs? It is. Like so many icons of the '60s, they're back now and being marketed successfully to the mainstream. A few still feature free love and organic farming, but what's more common is a form of collective housing built by and for property-owning, car-driving, middle-class former suburbanites...

Author: /time Magazine | Title: Middle-Class Communes | 12/20/1999 | See Source »

...stage at the Roxy, however, was completely different. Droning chords, insistent melodies, catchy syncopations, chanteuse vocals drowning in endless waves of synth-wash--all the innovations that Stereolab fans have come to expect --were all there. The difference was that Stereolab rocked. The aloof, polished, heavy-handed studio sound that many know the band by was shattered by gushing torrents of feedback and throbbing backbeats your ears just reveled in. From the minute they took the stage until the minute they left, the band pumped out and endless lifeblood of sound, filling the vaulted bordello-ballroom space of the Roxy...

Author: By Ankur N. Ghosh, CRIMSON STAFF WRITER | Title: Playing Against Stereo's Type | 12/17/1999 | See Source »

...They can't sing. They're professional lip-synchers! No live band, no improvisation. Just pure, 100 percent unconcentrated lip-synching straight out of the carton. No potential for mess-ups, no whines from the crowd that the live versions sound different, no need for talent...

Author: By Soman S. Chainani, CRIMSON STAFF WRITER | Title: Soman's In The [K]now | 12/17/1999 | See Source »

...worked with Pablo, who's doing keyboard for them, with a lot of sound design projects. I'm excited to hear them...

Author: By Daryl Sng, CRIMSON STAFF WRITER | Title: What's My Number? | 12/17/1999 | See Source »

...Other carefully thought out details of this production include the sound-effects and the slide projections. The vivid slides more than make up for the paucity of the physical set. These images remind the audience that this is not just a play about two individuals out of time and place, but that they refer to historical events that actually occurred. The penultimate scene of the Tiananmen Square Massacre becomes real for the audience as they see Karen and her friends suffering from physical and mental pain in front of the backdrop of projected photos of the real actors and victims...

Author: By Dunia Dickey, CONTRIBUTING WRITER | Title: You've Got (Revolutionary) Mail | 12/17/1999 | See Source »

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