Word: sound
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Dates: during 2010-2019
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...humor in “The Sound and the Fury” articulates the roles of the three Compson brothers in the family’s decline. The comedic power of the novel is most evident in the third section, narrated in the bitterly sardonic voice of Jason. The tone abruptly changes with the first sentence of the section when Jason announces, “Once a bitch always a bitch, what I say.” The fatalistic overtones of this decree permeate Jason’s narration as he mocks almost every character he meets. Faulkner uses Jason?...
BachSoc then presented the highly anticipated premiere of 2009-10 Composition Competition Winner “Nightclub Scenes for Solo Piano and Orchestra,” by Zachary T. Sheets ’13. Though “Nightclub Scenes” fit nicely with the modern sound of Prokofiev and Poulenc, there was a distinctively jazzy, almost sultry feel to Sheets’s composition. Written as “a classically inspired piece with a sense of harmony rooted in jazz,” Sheets delegated the roles of the jazz band’s walking bass, tenor...
...surprising segue from “Nightclub Scenes,” as it celebrated the classical period that influenced Prokofiev and Poulenc’s modern works. With Cohler conducting, BachSoc ended the Haffner Symphony with the exuberance that this work demands, as a final display of the refined sound that the orchestra conveyed throughout the night...
...sprawling, deliberately worn set takes full advantage of the Loeb Ex’s black box space. Staging and lighting are mostly unobtrusive, allowing the actors to carry the play. Sound design plays a larger role—piano interludes complement the household’s cultural conflicts, while a battered turntable that sticks frequently punctuates the play’s powerful final moments. Overall, the production is fairly sparse, which accentuates the dreary gloom of the Harrington family’s relationships and takes the edge off some of the potential melodrama...
Where “Bricks” falters, however, is on those tracks that trade a beautifully rounded sound for wavering efforts to be distinctive. “Tuberculoids Arrive in Hop” could be haunting, but it’s overworked, and the result is a strange amalgamation of shrill tones bookended by segments that appear to have been recorded outside. The song is certainly different, but its oddness is remarkable only because it distinguishes itself from much of the rest of the album, which suffers from the conclusion that nine years after breakout debut...