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Eerily however, the majority of the animal figures in “Beatrice and Virgil” are dead. Martel refers often to the sound of an ancient tape recording of howler monkeys in the upper reaches of the Amazon, transforming this rather odd sound into a hauntingly beautiful melody. Moreover, the two eponymous heroes of the book, are a taxidermied donkey and howler monkey, their lively dialogues pure fantasy. Martel refers repeatedly to the image of taxidermied animals standing in a bestiary-like taxidermy shop, poised as if to move. Like the tape recording of the howler monkeys...

Author: By Catherine A Morris, CRIMSON STAFF WRITER | Title: Martel’s Tribute to Silent Victims of the Holocaust | 4/6/2010 | See Source »

Byrne and Slim quickly establish musical and thematic focus in this opener: its blend of processed dance rhythms and orchestral accents serve as a fair synopsis of the album’s sound, and the inspiration for the album’s title—Marcos’s asking that “Here Lies Love” be inscribed on her tombstone—is immediately explained...

Author: By Adam T. Horn, CONTRIBUTING WRITER | Title: David Byrne and Fatboy Slim | 4/6/2010 | See Source »

...encourage the state legislature to pass DeLeo’s bill and hasten the construction of the two resort-style casinos and four race-track slot machine banks for which it calls. Although we recognize that gambling may not be the most productive industry, or the most morally sound, the economic benefits for both the public and private sectors that follow from allowing in-state casino operation far outweigh the moral grievances that some individual citizens contend should force the government to disallow it. So long as Massachusetts actively works to prevent and counteract the negative consequences excessive gambling...

Author: By The Crimson Staff | Title: A Numbers Game | 4/6/2010 | See Source »

...hung from the gallery ceiling. The structure served as a canvas for her light animation and enveloped her viewers, who stood in the spiral, in an “audio-visual” experience. Animated waves of light oscillated up and down the spiral, as if choreographed to the sound of Beethoven’s Pathétique Sonata for piano. Although more traditional listeners may have cringed at this reinterpretation of one of Beethoven’s most famed works, Hagebölling said that her goal was to “give listeners a totally new experience?...

Author: By Alyssa A. Botelho, CONTRIBUTING WRITER | Title: Hagebölling Explores New Intermedia | 4/6/2010 | See Source »

...installation, “Scratching Beethoven.” Auson’s project harnessed the movement of ant colonies through a network of glass boxes to mechanically rotate a turntable playing Beethoven’s opera “Fidelio.” “The dissonant sound horrified Beethoven-lovers,” Hagebölling laughed, “but it amused the children...

Author: By Alyssa A. Botelho, CONTRIBUTING WRITER | Title: Hagebölling Explores New Intermedia | 4/6/2010 | See Source »

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