Word: sound
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...indebted to traditional African musical traditions and their corresponding Western interpretations. The most bizarre example of this, perhaps, was seeing Mwamwaya sing in Chichewa over Vampire Weekend’s “Cape Cod Kwassa Kwassa” in a bold, globally-minded move to transcend the African sound and enter the arena of global...
...album opens with “Yalira” (“sound” in Chichewa), a warm hymn of welcome and sweeping promise of the sounds to come. “You are all welcome / Let’s all dance because the fire is burning,” the song begins (in English translation) “Hey London!/ Hey New York! / Hey Paris! / Hey Lilongwe!” This song serves as the album’s thesis: the music is not about the past, its influences, or what critics will think; it?...
Radioclit unveil their westernized, hip-hop stylings on songs like “Angonde” and “Julia.” On “Angonde,” the sound expands, rolling with thick, pounding drums and a soft, insistently rhythmic, Arabian guitar. Here, Radioclit process Mwamwaya’s rich vocals with a vocoder, electrifying and stiffening his voice to levels well below the T-Pain and Imogen Heap side of the spectrum so he maintains some of his trademark warmth while providing the crisp, electric harmonies. Throughout the track, a lone, hopeful violin pours...
...album breaks most genre-categories. Its aim is the creation of a moving and gorgeous sound, and it succeeds gloriously. This is the “African” music all of the Vampire Weekends have been striving to create for years: unbridled, joyful, lush, and paradoxically cosmic...
...faking. Some gasping syllable came out of my mouth just as I felt a tug on the still-connected headphones around my neck, and the release as momentum freed the iPod. It hit a metal trash can straight on, then skidded off into the street making with a sound like a row of people dropping their cell phones one after the other. None of this happened in slo-motion...